I love to see an ancient source vindicated. This article concerns a detailed description by Herodotus of a certain style of boat building that was doubted because archaeologists never found any examples of it … until now.
I realize we can’t just rubber-stamp every ancient account we like while discounting the ones we don’t like. We have to have some kind of standard of proof. Still, historical proof is not like scientific proof. There’s a slippery slope between “We have found no proof that this [whatever it is] existed” and “We have found proof that this didn’t exist.” Some people fall down it.
In this post I attempt to summarize Graham Hancock’s book Fingerprints of the Gods: The Evidence of Earth’s Lost Civilization (1995). This book influenced the background for my novels. It also, in my mind, dovetails with Douglas Van Dorn’s biblical/archaeological research on giants in ways that I am sure Hancock never intended or imagined.
This post is only a summary. It will naturally be much less convincing than the book itself. My copy of Fingerprints runs 578 pages counting the bibliography and index. Hancock builds up to his thesis slowly, presenting many different lines of evidence and dropping mysterious hints to keep the reader intrigued. He also has to get into some fairly technical topics, particularly when talking about astronomy. I can’t do any of that in a 1,000-word post. So, like a bucket of cold water in the face, you will be treated to Hancock’s thesis in all its bizarre and fascinating glory.
Incredibly Sophisticated, Incredibly Ancient Maps
Hancock’s first two chapters are dedicated to the details of a number of old maps drawn up during the 1500s which show parts of South America that were undiscovered by Europeans at that time. More intriguingly, they show the coast of Antarctica as it appears under the ice. (This was before modern man’s discovery of Antarctica, and before seismic surveys revealed what lay beneath the ice.) The best-known of these is the Piri Reis map (drawn up in A.D. 1513), but there are others, such as the Orontes Finaeus map, the Mercator map, and the Buache map. All these mapmakers drew on older maps, which they compiled. Piri Reis, for example, had access to the Imperial Library at Constantinople, which is probably where he got the sources for his map.
The other amazing thing about these old maps is they often show locations in South America, for example, at accurate longitude and latitude.
The lesson that Hancock draws from these maps is this. Whatever source maps Piri Reis and others used, must themselves have been drawn up by an advanced seafaring civilization that had explored the world and knew how to project longitude and latitude. Amazingly, these seafarer/mathematicians apparently charted Antarctica at a time when it was not yet completely covered in ice. That makes their civilization, how do you say? Very, very old.
Ancient Astronomer/Engineers Again
Hancock then turns to the sophisticated ancient buildings that have baffled us in previous posts. He dedicates ten chapters to the Incan and pre-Incan civilization: the Nazca Lines, the amazing complex at Lake Titicaca, and the tradition that connects these to a bearded culture-bringer (the Viracocha), who came from over the sea.
Eleven more chapters describe the Central American cultures: their obsession with numbers, with calculating exact dates in the distant past and future, with forestalling the apocalypse (including by human sacrifice). They were also sophisticated astronomers. The pyramid complex at Teotihuacan, for example, appears to have been laid out as a scale model of the solar system.
And then there is ancient Egypt. Seventeen chapters are dedicated to it. There are many things to notice. Here are just a few: ancient Egyptian civilization seems to have appeared suddenly as a high civilization, complete with myths, history, engineering, and an obsession with boats. Overall, its history is one of slow decline and loss of knowledge, rather than slow buildup. (Interestingly, the same point has been made about ancient Sumer.)
The pyramids at Giza do not match the pyramids that are supposed to have been built immediately before and immediately after them. They are far more durable and sophisticated than these others. If we accept the received chronology, the Egyptians built some relatively crummy pyramids, then a few generations later built some amazingly good ones, then turned around and went back to building relatively low-quality pyramids again. Hancock suggests that instead, the Giza pyramids are much older than commonly thought. They were built with knowledge or technology that was subsequently lost. The comparatively crummy pyramids are attempts to copy the ones at Giza.
Hancock writes, “Robert Bauval’s evidence showed that the three pyramids [at Giza] were an unbelievably precise terrestrial map of the three stars of Orion’s belt, accurately reflecting the angles between each of them and even (by their respective sizes) providing some indication of their individual magnitudes. Moreover, this map extended outwards to the north and south to encompass several other structures on the Giza plateau … the Giza monuments were so arranged as to provide a picture of the skies … as they had looked – and only as they had looked – around the year 10,450 BC.” (page 356)
The Great Pyramid at Giza has a ratio of 2pi between its original height and the circumference of its base. This strengthens the argument that it was meant to represent a star (a circle). The Pyramid of the Sun at Teotihuacan has a ratio of 4pi between height and base circumference. Both of these pyramids had to have an odd angle of slope to accomplish this (52 degrees for Giza; 43.5 degrees for Teotihuacan), so it seems to have been intentional. Pi was supposedly not calculated correctly until it was done by Archimedes in the third century BC, but apparently the ancient Egyptians and the ancient Mexicans were familiar with with it.
Where Hancock is going with all this is that people on both sides of the Atlantic got their amazing engineering, mathematical, and astronomical knowledge from an older “source” civilization. He thinks it was the same seafaring civilization that apparently charted Antarctica. This impression is strengthened by the Egyptian obsession with boats and by the Incan legends that say all this knowledge came from over the sea.
Is Hancock Arguing for Aliens?
Not in this book.
He has written several books about ancient mysteries. I have not read them all. He has now started writing fiction, and in the one novel of his that I have read, it becomes apparent that his interest in all this is decidedly New Age in character. The novel features an angelic/earth mother spirit guide, telepathic Neanderthals, the whole nine yards. So, I can’t swear that aliens won’t show up at some point. But that is not the thesis of Fingerprints. Hancock is arguing that there was a very advanced civilization of people well before 10,000 BC. Whether these people were taught by aliens, spirits, or some other stuff like that, he does not say, thankfully. Because, luckily, this book relies heavily on evidence.
So the ancient cartographers were not aliens, not even according to Hancock. But still we have a problem: Where was this civilization located? You don’t normally get an advanced civilization until you have a critical mass of arable land. In short, a continent. Hancock believes he has solved this problem. He believes there was such a mass of land, but that it has since undergone a cataclysm. And now we come to the really wild part of his thesis.
It’s the End of the World As They Knew It
Mythology about a period of cataclysms in ancient times is universal. Hancock dedicates four chapters to this alone. Flood myths, for example, are very common. But most cultures also record things like earthquakes, fire falling from the sky, the sun not rising for some long period of time, or an endless winter. Hancock discusses myths like this in some detail from the following cultures: Aztec, Sumerian, Greek, Inuit, Chinese, Southeast Asian, Pacific, Indian, Egyptian, Mayan, and Norse. It should not be hard for the reader to track down these myths. Some cultures (the Aztecs and the Hopi, for example) believe that disasters come at regular intervals and that each one ushers in a new age of the world.
Hancock believes that these myths are actually historical records (with all the usual caveats about them becoming garbled, etc.) of a period of geologic upheaval that happened within human history. I’ll put it in his own words:
“This geological theory was formulated by Professor Charles Hapgood and supported by Albert Einstein. What it suggests is a complete slippage of our planet’s thirty-mile-thick lithosphere over its nearly 8000-mile-thick central core, forcing large parts of the western hemisphere southward towards the equator and thence to the Antarctic Circle. This movement is not seen as taking place along a due north-south meridian but on a swivelling course – pivoting, as it were, around the central plains of what is now the United States. The result is that the north-eastern segment of North America (in which the North Pole was formerly located in Hudson’s Bay) was dragged southwards out of the Arctic Circle along with large parts of Siberia [which were dragged into the Arctic Circle].
“In the southern hemisphere, Hapgood’s model shows the landmass that we now call Antarctica, much of which was previously at temperate or even warm latitudes, being shifted in its entirety inside the Antarctic Circle. The overall movement is seen as having been in the region of 30 degrees (approximately 2000 miles) and as having been concentrated, in the main, between the years 14,500 BC and 12,500 BC – but with massive aftershocks on a planetary scale continuing at widely-separated intervals down to about 9500 BC.” (page 471)
So that’s the thesis. Here are the things it explains:
Why North America was once covered with glaciers, centered around Hudson Bay, and why they suddenly started melting.
Why, during the same period of time, Siberia was apparently not covered in glaciers
Why there is evidence that the climate was once much warmer in parts of Siberia. We find flash-frozen mammoths with temperate or even tropical plants still in their mouths and stomachs. (Actually, I still don’t understand how mammoths could be flash-frozen even with Hancock’s thesis. But at least it offers some explanation.)
Why there is evidence that the climate was once much warmer in Antarctica as well.
According to Hancock’s theory, the survivors of this advanced civilization that previously existed on what is now Antarctica fled their homeland, taking their science with them.
They settled in other parts of the world and tried to rebuild.
Hancock also thinks that they deliberately seeded myths and cults to preserve knowledge and to draw people’s attention to the processional cycle of the constellations because they wanted to warn them. They believed that geological disasters like this occurred cyclically in concert with celestial events. He believes this is why the pyramids were built, for example. A good chunk of his book is about this, but I don’t have time to relate it here.
What’s a Christian Writer to Do With All This?
First of all, it is not possible to integrate everything. It just isn’t.
To take just one example from above, if the earth’s crust took 2,000 years to slip, how did mammoths come to be flash frozen? I have no idea. I don’t think anybody does, whatever their theory.
To take another example, Hancock’s thesis requires that after the age of cataclysms, there were human survivors in scattered parts of the world. These were then visited by refugees from the mother civilization, who taught them things, and they remember these culture-bringers in their mythology. You cannot make this work perfectly with the idea that at one point there was a universal flood that wiped out all humankind except four couples, and that the flood myths are memories of that.
Every culture has stories of culture-bringers who taught them to do things (whether divine or human), and most cultures with a flood myth have the survivors of the flood landing right in that culture’s homeland and becoming the direct ancestors of that culture. Most of them don’t have a section in there where the survivors land somewhere very far away, and then their descendants travel a really long way to get to the current homeland. Most peoples believe that they live at the mythic center of the world. So you have to take these things into account. Every origin myth cannot be true in all its details.
That said, here is what I, as a Christian, have attempted to do with Hancock’s thesis and more importantly with the evidence that inspired it.
What I appreciate about Hancock is his attempt to take seriously the many lines of evidence that human beings were familiar with advanced mathematics, engineering, and astronomy long ages before we are told that human civilization started. This fits in, far better than the received “cave man” picture, with the ancient world as it is hinted at in the early chapters of Genesis. There we see civilization taking off like rocket, apparently with writing and record-keeping, and flourishing until it is destroyed by the flood.
Hancock’s theory of earth crust slippage does not contradict the Genesis account either. It is not hard to imagine an age of cataclysms leading up to the great flood. We are not told that this happened, but then Genesis, with its laser focus on redemptive history, does not tell us a great many of the things we would like to know. If we imagine earth crust slippage culminating in a worldwide flood, we end up with almost the same picture as that painted in Fingerprints. The only difference is that the amazing monuments at Giza and other places could not have been built by refugees from a mother civilization. They would have to have been built by Noah’s descendants trying to recover lost knowledge … or by the almost-unknown-to-us civilizations before the flood.
Genesis: Even More Daring than Hancock
Genesis does not give us a complete picture of the antediluvian world. It tells us only a few major names and events with very little explanation or context. We are not told how long the antediluvian period lasted; what the world population was before the flood; what the people or animals looked like or their relative sizes; what kind of technology existed; whether there were cities. As a result, we tend to picture Noah and his family, almost all alone, out in the middle of a desert (inspired by the way the Middle East appears today), with a bunch of modern-day animals. But we aren’t told that’s how it was. We aren’t told much at all. In fact, we don’t have – anywhere – any reliable sources that can tell us much about the very ancient world.
Genesis does, however, tell us one very weird thing which fits in well with worldwide myths but which Hancock’s thesis basically ignores.
Interesting as I find Fingerprints of the Gods, it is of course not perfect. Among other problems, it fails to take seriously the universal testimony of human culture that there used to be “gods.” Hancock falls prey (at least in this book) to the materialist notion that anything attributed to gods must be explainable by smarter people with higher technology. Of course, this smuggles in the idea that most ancient humans were stupid and gullible and would apply the “gods” label to anything they didn’t understand. This kind of snobbery dogs Hancock. For example, he quotes with approval a source that wonders how the Mayans could have had such advanced calendars when they hadn’t even invented the wheel.
Genesis, on the other hand, does not patronize ancient humans. Shockingly, it vindicates their myths. It is recorded in Genesis chapter 6 that the “sons of God” (some kind of heavenly beings, members of the divine council) came down to earth and intermarried with human women, and that their offspring were giants.
Obviously, that is a stunning claim. I can’t blame you if you’re not convinced of it on first hearing. Some day I will deal with it in more detail in another post (one that summarizes Douglas Van Dorn’s book). For now, I just want to say a few things about this idea as it relates to Hancock’s thesis.
Every culture, worldwide, has myths about gods and giants. There is a huge body of mythology about this stuff, and it usually shows up in the form of origin stories and tales that purport to be about historical rulers. No doubt the ideas of gods and giants, and many other themes from mythology, are a deep part of the human mental furniture. But this does not necessarily mean they are not also memories of historical events. How and why did this particular furniture get in our particular living room? Perhaps people did not get these ideas just from plumbing the depths of the human psyche. We might want to take these stories seriously as memories of historical events, since we are taking seriously the stories of floods and cataclysms that show up in the same cultures, and often in the very same narratives.
And, if you are still with me, taking seriously the idea of gods and giants might also give us our answer as to how people managed to build incredibly sophisticated monuments out of megaliths. Imagine a world in which people typically live almost a thousand years (per the ages given in Genesis) … in which ten or twelve generations can be alive at the same time, so knowledge is not lost … in which people are smarter and healthier than we are now, since there has been less genetic decay … and in which some of these people are actual giants. All of a sudden it starts to sound … maybe … almost possible. Maybe you and I could build the Giza pyramids too, if we had a thousand years to do it in and if we had intelligent giants helping (even directing?) us.
Now it’s your turn. I am posting this 24 hours late (I usually post on Friday, not Saturday), and even with the extra time, I realize this post is loosely written. This is such a big topic, worthy of an essay weeks or months in the making … not to say years. I did not spend years, months or even weeks on this post (although I have spent a few years thinking about all this stuff). My goal is not to make a watertight argument, just to sketch out some intriguing possibilities. Still, if you find problems with the post, point them out in the comments section (alongside your laudatory comments, of course) and I’ll do my best to tighten and polish it.
Why is it that every book about ancient mysteries has to do one of two things …
Follow a present-day character hot on the trail of The Truth, who is all the while being chased by some Shadowy Organization, such that every chapter ends in a cliffhanger?
Overturn Everything We Think We Know about … God, Christianity, and/or our identity as human beings?
And usually it does both of these at once.
The classic example is, of course, The DaVinci Code. But I have read a few others in the same genre. (What’s that you say? Why do I keep picking them up, if I dislike them so much? Well, durnit, I just love a good ancient mystery. Sometimes I can’t resist the promise that All Will Be Revealed. And it will be More Horrible Than We Can Imagine. … Garr! I fell for it again!)
So, I just finished another book in the same genre. But it is, I must say, much better done than The DaVinci Code. (Hence the title of this post.) The mystery was creepier and more ancient. The action was tense but not juvenile. The psychology was sound. The travel-writing aspect of it was terrific. Vivid physical and cultural descriptions made me feel I was really there, whether the setting was Sanliurfa, Turkey, or the Isle of Man. Also, although it does end with a supposed debunking of Genesis, I did not get the idea that this was the author’s goal. Instead, I got the idea that the author was interested in the actual … mystery.
The Genesis Secret (2009), by Tom Knox, follows the adventures of Rob Luttrell (coincidentally, a London-based journalist just like Knox), who is sent to investigate the archaeological dig at Gobekli Tepe in southeastern Turkey. Gobekli Tepe dates to 10,000 BC, which according to received archaeological theory makes it the oldest known human structure (apart from inhabited caves). Naturally, things get spooky. Secret societies happen. Bloodshed follows.
The Shadowy Organization, in this book, is headed by a sociopath who is very, very interested in all the creative methods of human sacrifice practiced around the world by the ancients. I skipped one scene in the book, and there were others that I probably should have skipped. Even more hair-raising, because they actually happened, are the historical descriptions of what used to be done in service to various gods. (Go out and learn about Moloch, the Blood Eagle, or the Flayed Lord. Or, better yet, don’t.)
But the reason this book is appearing on this blog is that Knox explores some of the same questions we are interested in … How did the hunter-gatherers at Gobekli Tepe create this amazing stone temple complex, when they “didn’t have agriculture” and “didn’t have pottery”? He gets fairly deeply into the tale of gods intermarrying with people and producing giants, which is sketched out lightly in Genesis and is greatly expanded upon in the Book of Enoch. He also raises questions like, Where did humankind get this idea of sacrifice? Why do the strongest and most inspirational leaders also turn out to be the cruelest and most violent?
His answers are decidedly humanistic. For example, the idea of gruesome human sacrifice is linked to … belief in God. (That’s right. Not false gods.) He even credits “the ancient Israelites” for child sacrifices to Moloch … all but ignoring the fact that this was a CANAANITE custom which Israel’s God told them REPEATEDLY not to do and which He NEVER commanded.
Nevertheless, The Genesis Secret contains lots of great research that is capably handled with chilling hints, spooky moments, and a mostly satisfying, mostly slow reveal. I recommend this book if you have a strong stomach and are interested in the ancient mysteries genre. Meanwhile, the world will have to wait a little longer for novels about ancient mysteries that actually take place in the ancient, mysterious times, and that lead us closer to God instead of making Him disappear.
Occam’s Razor is the logical principle that states that,
when there are two competing explanations for a given phenomenon, we should
choose the explanation that is simpler – i.e., is less elaborate, introduces
fewer hypotheticals, conditions, or “assumptions.”
We all use this principle without realizing it (more on this later), but the first time I remember consciously applying it was in high school.
I was given an assignment to write a research paper on anything I wanted. What I wanted was to write about this thing I had vaguely heard of, which I called “weird science.” By this I meant wild, speculative theories, research into cryptids, and things like that. In practice, my “weird science” paper turned out to be, basically, a book report on Chariots of the Gods.
The Ancient Aliens Theory
Chariots of the Gods was published in 1968 and written by Erich von Däniken. It advanced the theory that superintelligent extraterrestrials colonized earth long ago and were responsible for various mysterious or hard-to-explain structures built by ancient people, such as the pyramids at Giza, the pyramid/observatories throughout MesoAmerica, the Nazca Lines, etc.
Since the publication of Chariots, this idea has made it into fiction numerous times. There was the movie Stargate (1994), which focused on ancient Egypt, and which I love because its hero is a linguist. (On first contact with a group of strangers, a military officer shoves him forward and says, “You’re a linguist, aren’t you? Go talk to them.”) More recently there was Indiana Jones and the Kingdom of the Crystal Skull (2008). (Spoiler: it’s an alien skull). These ideas have now been made into a TV series (Ancient Aliens), and in fact there is a whole ancient aliens interest crowd out there now.
I Knew Better, But Couldn’t Explain Why
But reading through Chariots of the Gods was my first time to stare these ideas straight in the face, as it were. And of course, I thought they were cool, even if some of the evidence was a little weak. Von Däniken made much of a particular Mayan sarcophagos engraving that he said “clearly” showed an astronaut reclining inside a small spaceship, complete with controls, microphone, et al. If you’ve seen the panel, it’s really kind of hard to tell what the heck it is, beyond a human seated in an awkward position. See this article, by a fellow WordPress blogger. There you will see a picture of the original panel, a copy of Von Däniken’s diagram and “explanation” of it, plus a convincing argument that the whole thing is far better explained by Mayan cosmology.
Things like the Nazca lines were a little harder to explain (or at least to guess the purpose of), given that it is literally impossible to tell what they portray without viewing them from an airplane.
Anyway, weak evidence or not, I thought von Däniken made a compelling case. Compelling, but not plausible. In other words, there was actually no way to falsify the claims. The theory was logically consistent. But it was also, how do you say it, a little bit … elaborate. (Or, as Bertie Wooster describes it, “A word that begins with an e and means being a damn sight too clever.”) It was fun to think about as a theory, but didn’t seem terribly likely from the point of view of wanting to find out what actually happened.
The Razor to the Rescue!
This was where Occam’s Razor came in. I was relieved to learn that I didn’t have to accept Chariots’ premise just because I couldn’t find a logical inconsistency. Occam’s Razor to the rescue! One theory to explain ancient structures required an entire extraterrestrial civilization capable of space travel; another, equally logical, only required me to believe that ancient human beings were smarter than we give them credit for. Problem solved. I wrote the book report and went on my merry way.
The Razor Left some Loose Ends
Except that the problem was only sort of solved. The overly elaborate explanation didn’t ring true, but my simpler one left an awful lot of questions unanswered.
It didn’t tell us anything about how the ancient people managed to make the pyramids at Giza; the jigsaw-puzzle fitted megaliths at Machu Picchu and Saksaywaman; the 1,000-ton megaliths at Baalbek, Lebanon; the heads at Easter Island, etc. Whatever techniques they used, we couldn’t get the same results today. And why would anyone choose to use huge megaliths in any building project, assuming that handling megaliths was as difficult back then as it is today? Saying “they were smarter than we are” might be true, but it just passes the mystery of how it was done from E.T. back to ancient people again, sort of like a hot potato, without really clearing anything up.
Why were ancient people so interested in astronomy? Why did they build giant drawings that are best viewed from above? For the “gods” to see, perhaps. But where did they get this idea of “gods” who might actually visit? (No, I am not going back to the aliens. Hang on.) Were they smart enough to lay out perfect geometrical structures that covered miles, yet dumb enough to believe in “gods” on zero evidence (assuming their evidence was the same as we have today)?
These questions are not going to go away, because the structures themselves are there. This is not like an unconfirmed UFO sighting. Anyone can go and look at these structures, marvel at the mathematical and engineering ability that went into them, and confirm that, in some of the cases, to this day we don’t know how the heck it was done.
Whatever theory we come up with to answer these questions is likely to sound just as implausible as a race of aliens.
When the Razor Cuts Off Too Much
And here we come up against a limitation of Occam’s Razor. The Razor, useful as it is and cool as its name undoubtedly sounds, does not help us distinguish between plausible and implausible assumptions. Our sense of which theory is “simpler” depends to a large extent on our sense of which theory sounds more likely. In other words, there’s a short, slippery slope sometimes from Occam’s Razor to Confirmation Bias.
What is more plausible: that aliens visited earth thousands of years ago, or that ancient humans were at least twice as smart as we are today? Whichever sounds more likely will look like the “simpler” explanation. (Of course, given those options, we might start casting desperately about for a third one.)
If it is an article of faith with … someone … (I name no names) that human beings started out as, essentially, animals, and that throughout all of history, humans have been getting steadily smarter and more technologically advanced, then, in a minute … that person … might find themselves invoking aliens. Because when confronted with the amazing engineering feats of the distant past, aliens are going to seem like a more likely culprit than those people that we think of as cave people.
There is another view of history that goes at least some of the way toward explaining these ancient mysteries without invoking aliens at all. I’ll write about it in a later post.
Readers of The Long Guest have noticed that it features some “dragons.”
These are not the kind that breathe fire, collect treasure, talk in riddles, and sail through the sky on golden wings. Lord knows, I’ve got nothing against that kind. But The Long Guest is not that sort of story. It’s a speculative novel about what life might have been like in the very ancient world. Its “dragons” are basically animals, part of the milieu through which the characters move as they leave Babel.
They are, of course, dinosaurs. Below is some of the research that prompted me to include them.
Wait, ‘Dragons’ Are Dinosaurs?
The evidence from paleontology is complex, incomplete, hotly debated and far, far beyond the scope of this article. But there is plenty of historical evidence that human beings occasionally saw, and even might have interacted with, various kinds of dinosaur. Often they called them “dragons.”
Dragon ‘legends’ exist all over the world. For example, when my husband and I lived in Borneo, there were stories of a long, skinny water dragon (‘naga’) that lived in the rivers. This dragon was part of the local mythology, but it was also believed to be an actual animal. After all, the other prominent animal in the local mythology was the hornbill (a bird similar to a toucan), which still lives in the interior of Borneo in great numbers.
Dinosaurs in Premodern Art
Let’s start with depictions of dinosaurs in premodern art. All the examples I am going to give below appear in the context of art that features many other animals found in the natural world.
On Ta Prohm temple in Cambodia, there is an image that appears to be a stegosaurus alongside depictions of a monkey, deer, and parrots. On Kachina Bridge in Utah, the Anasazi petroglyphs include an animal that looks like an Apatosaurus. Among the petroglyphs at Havai Supai Canyon, near the Grand Canyon, is an image that appears to be a dinosaur with a long neck, standing upright and balancing on its tail.
Then there are the tens of thousands of small handmade clay sculptures that have been dug out of the ground near the foot of El Toro mountain in Acambaro, Mexico. Besides sculptures of people, musical instruments, idols, and so on, there are – you guessed it – hundreds of recognizable dinosaurs.
Finally, we have the Ica burial stones of Peru. These have images incised on them, including lots of dinosaur images. Interestingly, they show sauropod-like creatures with spikes on their backs. When I was a kid, sauropods were shown as large, grey, slow, and reptilian, with smooth backs. But apparently, in 1992 we moderns figured out that sauropods had “dermal spines.”
Visual images, especially petroglyphs, can be hard to interpret. As you might expect, the sculptures and images above are beloved of creation scientists and have been the subject of debunking by those who hold that dinosaurs did not survive to overlap with people. Sometimes the debunking takes the form of “That’s not really a dinosaur”; other times, as in the case of the Acambaro sculptures, the refrain is, “It must be a recent hoax.”
In the links above, I have tried to include a mix of both sympathetic and skeptical sources. I wanted you to be able to see the images; when possible, I took you to a skeptical source so that you can verify that the image in fact exists. Using the links above, the curious can find out more about the controversies (and with prehistory, the controversies never end).
But now we turn from visual images to less ambiguous accounts in the form of writing.
Historical Evidence for Dinosaurs
Once we start taking dragon ‘legends’ seriously as possible historical accounts of dinosaurs, we start seeing that there are a lot of accounts to consider. Here are just four:
The ancient Chinese, of course, had a whole cosmology built around different kinds of dragons. So much could be said, but I just want to note two things here. First, Chinese dragons are strongly associated with the Emperor because, among other reasons, of a legend of an early emperor, Xia Yu, who was helped by a wise dragon. (Note in the link above that Xia Yu’s story has other features common to the early chapters of Genesis. He lives hundreds of years; he is a founder and a culture bringer; he helps tame the dangerous floods. He is also an ancestor and founder who is later worshiped as a deity, as seems to have been the case with Nimrod.)
Speaking of feathered dinosaurs: myths about, and worship of, a feathered serpent go way back in a variety of Mesoamerican cultures. This feathered serpent is called Kukulkan in Mayan, but is better known by his Nahuatl name of Quetzalcoatl. He even has a pterosaur named after him, though in reconstructions it looks more like a big bird than like a winged snake. (But compare this myth to the Hebrew “seraph serpents.”)
Continuing with the ancient Hebrew, here is a passage from the book of Job: “Look at the behemoth, which I [God] made along with you [Job] and which feeds on grass like an ox. What strength he has in his loins, what power in the muscles of his belly! His tail sways like a cedar (!); the sinews of his thighs are close-knit. His bones are tubes of bronze, his limbs like rods of iron. … Under the lotus plants he lies, hidden among the reeds in the marsh. … When the river rages, he is not alarmed …” (Job 40:15-23)
This description, particularly the tail swaying like a cedar, sounds like some kind of sauropod. For comparison, in the chapter before this God has given some poetic, but accurate, descriptions of the behavior of mountain goats; does; wild donkeys; wild oxen; ostriches; war horses, hawks, and eagles.
Job, by the way, apparently lived in the Ancient Near East not too long after Babel, if we go by his lifespan. According to the book of Job, he lived another 140 years after the events he is famous for. In Genesis 11, we see life spans of roughly 200 years becoming commonplace some time between Babel and Abraham. This is also the time period in which my book is set.
And now, we come to my favorite: dinosaurs in Beowulf. For this analysis, I owe Bill Cooper, author of After the Flood (1995). His book has an entire chapter devoted to zoological terms in Beowulf. Among many other rich ethnological and linguistic details, Cooper points out that in the original Anglo-Saxon, Grendel is nowhere referred to as a “troll.” In fact, ‘Grendel’ appears to be not a personal name but a name for a species: there are place-names in England such as “Grendeles Mere” (Grendel’s Lake), Grindles Bec, and Grendeles Pyt. There is even Grindelwald (“Grendelwood”) in Switzerland. (!)
Looking at the characteristics of Grendel as described in Beowulf:
He is in “the shape of a man, though twisted” and “more huge than any human being.” In other words, large and bipedal.
He is a “mearcstapa” (a marsh-stepper), who stalks the marshes.
He is a nocturnal predator (a “sceadugenga” — shadow-goer).
He is a “muthbona,” one who slays with his mouth. He is able quickly to devour human beings (once, 15 in one night). This would be difficult if he had a humanoid type of head and jaw.
Hrothgar’s warriors have been unable to kill Grendel for 12 years, and he is said to be invulnerable to ordinary weapons.
The way Beowulf kills him is to grip him by his “claws,” at which point Grendel, realizing he is in trouble, tries to get away. But Beowulf twists Grendel’s arm off at the shoulder and Grendel runs off to bleed to death.
Later, when Beowulf beheads Grendel’s corpse, it takes four men to carry the head home on a spear (this is my own observation, not Cooper’s).
And another of my own: Grendel and his mother are both referred to as having “locks,” but see the discussion above about feathers or spines.
After offering all this evidence, Cooper doesn’t even bother to name the dinosaur. “Is there a predatory animal from the fossil record known to us, who had two massive hindlegs and two comparatively puny forelimbs? There are several such species.” (page 159)
Thus, four different streams of historical record that I think may be more than myth.
I am not suggesting that every story of a dragon is to be taken seriously as a sober historical record of a dinosaur encounter. Fables have been invented about dragons, just as fables have been invented about other animals that have captured the human imagination (i.e., nearly all of them). But this does not invalidate every historical account. No one thinks that foxes do not exist because of Aesop’s story of the fox and the grapes. No one thinks that whales do not exist because of Moby Dick or Pinocchio.
But Do They Breathe Fire?
The “dragons” in my books do not breathe fire. However, I have nothing in principle against the idea of an animal that could. After all, this world of ours contains the electric eel, the bombardier beetle, bat radar, bio-luminescent beaches, and the platypus, which apparently is able with its bill to detect electric fields put off by living things and so home in on its prey. Since all these things are possible, surely an animal could have existed that could expel superheated liquid, gas, or even – who knows? – actual fire. The process that allowed it to do this would likely be chemically based and so perhaps not visible in a fossil.
Dragons in The Long Guest
Dragons in my first book appear as part of the milieu, not as characters. Since they do not play a major role, I can mention them without spoilers.
Early in the book, two of the men go on a hunting/scouting trip. They observe a duckbill-type dragon with a crest with pink coloring. On the way back, they have an encounter with another dragon of the raptor type, which is hunting a wild boar that they are also hunting.
Much later in the book, the tribe has crossed Mongolia and has almost reached what is now the Liao River (home of the “pig dragon” artifacts). There they have a friendly encounter with a group of strangers who are capturing a dragon to take home to their king. The “dragon” in this scene is a Triceratops-like creature that sports dermal spines, blue-and-gold feathers on its crest (because why not?), and smooth feathers over the rest of its body. (My day was made, once about ten years ago, when I read in a newspaper that a Triceratops had been found covered in feathers. I now can’t track down the source … but it’s too late. Feathered triceratops/Chinese pig dragon has already made it into the book.)
Butt, Kyle and Eric Lyons. Dinosaurs Unleashed: The True Story About Dinosaurs and Humans. Apologetics Press, Inc., 230 Landmark Drive, Montgomery, Alabama, 1st ed. 2004, 2nd ed. 2008.
Cooper, Bill. After the Flood: The early post-flood history of Europe traced back to Noah. New Wine Press, PO Box 17, Chichester, West Sussex, England, 1995. The creatures in Beowulf are discussed in Chapter 11, p.146 ff.
Kleeman, Terry & Barrett, Tracey. The Ancient Chinese World. New York: Oxford University Press, 2005.
I was taught in school that the Sumerians were the world’s first civilization. What this actually meant was that they were the earliest civilization with writing that we knew of. I’m not sure this is true any more. It seems we keep finding earlier and earlier evidence of civilizations, and even of writing, from all over the world. Look here for example.
The Sumerians flourished in Mesopotamia around 3000 BC. (Obviously, they must have started earlier than this, since this is the approximate date of the earliest records that we have found. They could have started much earlier.) Their language is not clearly related to any known language families that are around today. Indeed, we only know how to translate their language because the Akkadians later adapted the Sumerian writing system and continued to use Sumerian as a classical language long after it had died out as a living language.
It is a pretty language (my completely objective opinion). In The Long Guest, the names Nimri, Ninna, Ninshi, Shulgi, and Enmer are composed of syllables taken from the – usually much longer – Sumerian names. Some examples of Sumerian names: Shu-Sin, Shulgi, Inanna, Enlil, Ningal, Ninurta.
I drew on Sumerian because it is a very early language in approximately the same part of the world as the tower of Babel, with the same highly centralized urban/religious social structure that we see clearly in the story of Babel.
One last note about the Sumerians. There is a strong possibility that they were black. It is hard to tell what ancient peoples looked like, because they did not leave us color pictures, but apparently the Sumerians refer to themselves in their documents as “the black-headed ones.” For more information, see this article by Arthur C. Custance.