Evolutionary researchers are still not positive that having a grandmother around is physically good for moms and babies. But they are bumbling towards proving it. And we all know it’s true.
So, this cool dude is ripped from the pages of The Long Guest. Singing, with his daughter, on a little stringed instrument, about … what else? … horses. In Mongolian. In Mongolia.
Except he is even cooler than any character in my book, because he does “throat singing,” which as far as I can tell, basically involves turning his voice into a digeridoo.
Also, his daughter is adorable.
This video just makes me very happy.
Here is a link to the Classic FM article which gives some background about the singer and about throat singing.
“At age 90 and having broken his promise not to pick up his pen again, [Thomas Sowell] has turned his gaze to the world of education, delivering Charter Schools and Their Enemies at a moment when those schools have come under intense scrutiny …”
Read the rest here.
Here is Ikash, who was a teenager when he was the protagonist of my novel The Strange Land. Now he is a husband and father, and he is doing what husbands and fathers do … trying to protect his family from the scary things in the world. (Of course Hyuna could help with this too, but as you can see, she recently had a baby, so she needs him to do the heavy lifting.)
This exact scene does not happen in my third book (at least not yet!), but it does illustrate his basic stance throughout that novel.
The black and white drawing did not scan great … a lot of detail was lost … but I needed something to post.
Are you perhaps feeling like this right now?
[Five-year-old] Thomas sat on the dusty brown carpet between his two brothers with a well-worn dictionary in his lap. He kept it with him when he watched TV in case he came across a new word.
“What is it Mom and Dad do with these people?” he asked.
[Thomas’s brother] Henry stared at the TV and pushed the buttons on the remote. “Exorcisms,” he said.
“Exorcisms,” Thomas thought out loud as he flipped through his dictionary. “How do you spell that?”
Henry smiled derisively. “X-O-R-S-I-S-U-M-S.”
Thomas raised a skeptical eyebrow and flipped to the “E” section.
The next half hour passed quickly as he read about existence, existentialism, exit permits, exorcism, exoskeletons, and exotic dancers.
–The Resolve of Immortal Flesh, by Rich Colburn, p. 13
This man, his wife, their 2-year-old and their 6-month-old baby survived a tornado that took their entire house … except the concrete room where they were sheltering … which room they had recently bought the house for.
They had been in the house with the safe room mere weeks.
The dad had been in the safe room 20 seconds before the tornado hit.
“I’m just going to let the insurance handle it and trust in the good Lord,” says Andrew Philips.
You may be a prepper, but you’ll never be a prepper like this guy.
The following is a poem by Puritan poet Anne Bradstreet. Bradstreet was a poet and a mom. This poem compares publishing a book to sending your child out into the world: you dress the kid as best you can, attempt to wipe his or her face, and just pray that he or she doesn’t embarrass you out there.
I was introduced to this poem in an American Lit class in college, and even then I thought it was clever. At the time, of course, I had no children and had not published anything.
In the years since, I’ve thought of this poem once or twice whenever I do manage to publish something and find that it can look very different staring up at you from a newspaper than it looked on my laptop. Truly, works of literature, like children, when we turn them loose on the world do not always behave the way we hoped they would.
Thou ill-formed offspring of my feeble brain,
Who after birth didst by my side remain,
Till snatched from thence by friends less wise than true,
Who thee abroad, expos’d to publick view,
Made thee in raggs, halting to th’press to trudge,
Where errors were not lessened (all may judg).
At thy return my blushing was not small,
My rambling brat (in print) should mother call,
I cast thee by as one unfit for light,
Thy visage was so irksome in my sight;
Yet being mine own, at length affection would
Thy blemishes amend, if so I could:
I wash’d thy face, but more defects I saw,
And rubbing off a spot, still made a flaw.
I stretched thy joynts to make thee even feet,
Yet still thou run’st more hobling then is meet;
In better dress to trim thee was my mind,
But nought save home-spun Cloth, i’ th’ house I find.
In this array ‘mongst Vulgars mayst thou roam.
In Criticks hands, beware thou dost not come;
And take thy way where yet thou art not known,
If for thy Father askt, say, thou hadst none:
And for thy Mother, she alas is poor,
Which caus’d her thus to send thee out of door.The Author to Her Book, by Anne Bradstreet, via poetryfoundation.org
… food prepared for children was almost always tastier than the food cooked for oneself. It simply was. How many parents, then, found themselves hovering over their children’s plates, ready to swoop on any surplus or rejected morsel or, worse still, ready to sneak something off the plate while the child was looking in the other direction, or arguing with a brother or sister, or possibly having a tantrum. The closing of the eyes that went with a tantrum could be especially useful in this respect; when the child came to his or her senses, the quantity on the plate may have been significantly reduced, thus providing the child who noticed it with a sharp lesson in the consequences of bad behaviour. Make a fuss, and your food will be eaten by somebody else: a sound proposition that Mma Ramotswe believed could be applied with equal force to many other situations.To the Land of Long Lost Friends, by Alexander McCall Smith, p. 137
Believe it or not, many children are congenitally resistant to the natural ways of giving affection and love. They resist eye contact, they do not want to be touched, and they do not care for focused attention. … Many parents eventually resign themselves to what they conclude is “what the child wants.” This is a disastrous mistake. Even the extremely resistant child needs everything we have talked about concerning unconditional love. However, since he is uncomfortable accepting it, we parents must gradually teach this child to receive love comfortably.
[W]hen a child finds something to be quite humorous … parents have the opportunity to make eye contact, physical contact, and focused attention while commenting on the humorous subject. Parents must usually be quick in doing this because the defenses of a truly resistant child are down only briefly. We’ve got to “get in and get out” or a child may defend against similar tactics in the future.
[W]hen a child has accomplished something for which he is justifiably proud … parents can make eye and physical contact (and focused attention if appropriate) while praising a child. Again, we must be careful not to overdo it, especially by prolonging it; “get in and get out.”Dr. Ross Campbell, How to Really Love Your Child, 1977, pp. 119 – 120
So I watched this on Netflix a few weeks ago.
It’s a critically acclaimed, independent film, but that’s not why I watched it.
I watched it because I “ought” to, because it has so much in common with my second book. Rugged landscapes, desperate situations, father-son relationships, snow. Even bears.
It’s sort of in the survival genre (if that’s a genre?). You know, as in To Build a Fire, where the story shows just how quickly things can go wrong when you’re out in the wilderness.
And did I mention the sound track is amazing?
Anyway, it’s very well done, and I highly recommend it.