Another, Sort of Interesting, Personality Typology Book

I saw this at my local library.

I like reading personality typology books — as long as they aren’t too dumb — because I’m interested in stories and people. And people within stories. I am aware of the limitations of personality typologies. I don’t think I’ve ever seen one that can capture all the nuances of a person; and, in fact, it would be surprising if we could. I have a made a few previous posts about the MBTI, but I know that it has been criticized and has been woodenly applied in a business context.

The MBTI yields sixteen basic types, and even it is not perfect. So of course, any typology that only has four types is going to be even less of a fit, unless you apply it generously and with some fluidity. (Which is different from making your typing of people unfalsifiable by always having an explanation for features that contradict your theory.) Carol Tuttle’s typology is a four-typer. Her four types correspond roughly to the ancient four types of Sanguine, Choleric, Phlegmatic, and Melancholic.

The book is somewhat woo-woo. (And whoo boy — I mean, hoo boy, her web site is even more woo-woo!) The way Tuttle explains her philosophy is that there are four types of energy present in nature, and while all people use all of these four types, each of us “expresses” one of the types of energy in particular. When she writes about people who have attended her seminars, she tends to describe them as “a woman who expresses Type 3 energy” instead of saying “a woman who is a Type 3.” I feel like there’s wisdom in that. Other woo-woo aspects: she explains how each type handles its energy in terms of yin and yang, and in the profiles of each type, she even includes a description of physical features that people with that sort of energy are likely to have. It was the physical descriptions that lost me. That seems like way too much of a claim. I have a much easier time accepting a typology that is just based on the way you approach life and the effect you have on other people, not just with things you explicitly do, but with the energy you bring into a room (about which more in a minute).

And yes, people do attend her seminars. Each chapter in this book has testimonials from people whose lives were improved once they were able to recognize and accept their type.

And yes, she did name the Types 1, 2, 3, and 4, which I think shows admirable restraint. Here they are:

  1. Energy that is light, lively, cheerful, and vertical, like the movement of an aspen tree.
  2. Energy that is smooth and down-ward flowing, like the Mississippi River.
  3. Energy that explodes outward, getting things done, like the sun or the appearance of the Grand Canyon.
  4. Energy that is constant, still and stable, like a rugged mountain reflected in a glassy lake.

(Notice: Air, Water, Fire, Earth.)

One thing that caused me to actually read this book (and then even go so far as to review it!) was that, as soon as I started skimming it, I began recognizing family members in the descriptions. One of my children, for example, clearly has Type 1 energy, and even loves rabbits, which because they move by hopping are cited as a Type 1 sort of animal.

Of course, not everything applies perfectly. Not everything said about Type 2 express-ers is true of me, for example. (No, I am not diplomatic nor am I good with numbers.) And some people don’t immediately seem to embody these types. So, despite the testimonials, I am recommending this book as an item of interest, not as something that is going to change your life.

What it really teaches you is how to dress.

Apparently, Tuttle has an entire seminar called “Dress Your Type.” The idea is that, when you dress in a way that matches the type of energy you bring, people know what to expect from you and they are more likely to respond to you in a way that’s in keeping with your general approach to life. I am all in favor of letting people know what to expect. I relied heavily on this principle when naming my children, for example.

Tuttle recommends that only people with Type 4 energy wear black. These people tend to be striking and somewhat forbidding in their aspect, and serious in their approach. Other types, she says, will be made to look tired or older by black. I’m not sure I’m ready to give it up, but OK.

Her approach does explain an awful lot about my sartorial preferences. I love flowy things: long belts, fringes, shawls, ponchos, bell sleeves, long hair, medieval historical dress, and all of these things are totally impractical for everyday work around the house, but apparently they express my flowy, Type 2 energy, so you have been forewarned. (I also write long, rambling novels.)

According to Tuttle, Type 2 is “a double yin” whereas Type 3 is “a double yang,” which might explain the following story.

My husband and I had just come through an extremely stressful period at work. We then had to travel for some meetings. The site where we were staying was sort of a vacation site, but it was a working trip too. We were trying to do a good job in the meetings, but also sort of relax and process all the stress we’d just been through. It was also a place where many people were coming and going, including a very energetic gentleman whom we had first met about a month earlier. This guy was one of those types who do an amazing job at their own role, and also insist that “everyone can do it!”

I was supposed to be taking notes at the meetings, but one morning, I woke up feeling awful. I dragged myself down to the kitchenette area and was just trying to force down some breakfast, hoping it would make me feel better, when the door burst open and in rushed Type 3 Energy Man. He didn’t even speak to me, but his presence was all it took. I dashed outside and threw up in the flower bed.

The Big Five Personality Traits … and My Characters

I’ve posted before about the “Big Five” personality traits. Though I like personality typologies such as the MBTI, almost all of them come from a pre-existing theory the researchers have and then seek to impose on the data. The Big Five are the closest thing we have to traits that emerged from almost pure data … that is, from casting a very wide net (in this case over adjectives used to describe people), and then seeing if those adjectives “clumped” around certain traits, and then eventually finding biochemical analogues to these traits in the brain. So says Jordan Peterson.

Since the Daily Wire made all of Jordan Peterson’s old materials available on their web site, I’ve been watching my way through a psychology class he taught about the Big Five. His lectures are always so rich and insightful, even if they do get a bit Jung-y, that they never fail to fire my imagination. And the traits never fail to remind us of people we know who are particularly low or high in each of them. Today, I thought it would be fun to name a character from my series who exemplifies each of these traits. All the technical information about these traits in the paragraphs below comes from my recent viewing of Peterson’s lectures.

Extraversion

Extraversion, according to Peterson’s lectures, basically means the person has a very active incentive/reward system in the brain. The basic impulse of extraversion is “There’s a good thing … I’m going to go and get it.”

Nimri (later, Nirri), the main character in The Long Guest, is high in extraversion. Though paraplegic and living basically as a prisoner of people he can’t communicate with, he remains as active as he can, doing arm exercises, keeping a journal, and continually seeking to expand his sphere of activity and influence as much as possible.

Neuroticism

Neuroticism is the technical term for “high sensitivity to negative emotion.” In Peterson’s evolutionary terms, this is the brain system that keeps prey animals alert and hence alive. Statistically, women tend to be higher than men in neuroticism. There are obvious reasons for this: they need to be hair-trigger sensitive to the distress of their babies, and in fact, the world is a more dangerous place for a woman, especially if she is caring for an infant.

However, in my books, Exhibit A for neuroticism is a man. Enmer is 30 years old when an apocalypse hits his society. His father is killed, and Enmer becomes the new head of the family. He feels the burden of keeping them safe very keenly, and when subsequent disasters hit the family, Enmer enters a deep depression with which he will struggle for years.

Enmer is also high in conscientiousness, but we have another character to exemplify that for us.

Conscientiousness

Conscientiousness is made up of two sub-traits: industriousness and orderliness. Industrious people feel bad if they are not working on some task. The evolutionary (or design) usefulness of this trait to the community is obvious. Orderly people like things to be in neat, known categories. This plays on the fear system in the brain, where the unknown or chaotic constitutes a threat.

Though it might seem that being very conscientious would be a miserable experience, under normal circumstances conscientious people have lower levels of anxiety than less conscientious people. Peterson’s theory is that this is because conscientious people tend to order their environment well, which reduces levels of anxiety compared to people who live in a disordered environment (even if they think they like it). Conscientiousness is also a good predictor of overall life success.

Hur is a very conscientious character. He is small, fair-haired, and not very prepossessing, and he starts the series as a slave in Enmer’s household. But he has all kinds of skills, including being a good shot with a bow and knowing how to make bows and arrows. He takes advantage of the apocalypse to demand his freedom and soon becomes the tribe’s go-to guy for both hunting and security. Eventually, he becomes tribal cheif.

Agreeableness

Agreeable people like to please other people and keep relationships good. In any given situation, they will not necessarily ask themselves what they want (or even, in some cases, be aware of it), but will just do what other people want them to do. Statistically, women tend to be higher than men in agreeableness. Being very agreeable is a necessity when you are caring for an infant, as the infant’s needs must always take priority over your own. It does not, Peterson points out, prepare you well to function in an out-of-the-home work environment. You tend to get taken advantage of.

Sari, one of the main characters in The Strange Land, is an agreeable wife and mother. She spends years living with an abusive husband, trying to keep the household running and to mother her children as best she can. When a crisis hits, she does not know how to ask for help and does not want to inconvenience others.

Openness (to new experiences)

Open people are adaptable. If there is a major crisis, you want some people who are high in openness around, as they will handle it better than someone who is very high, for example, in orderliness. Openness plus fluid intelligence is a good predictor of a person’s creative output.

Zillah, who is a main character throughout my entire series, is high in openness. She is the one who encourages the family to take in the injured foreigner Nimri when they stumble upon him as they are fleeing the Tower of Babel apocalypse. She adjusts to the new reality and accepts it far more quickly than Enmer, who never really comes to terms with it.

Though Zillah is not a “creative” person in the sense of producing visual art and music, she shows a great deal of creativity in the way she cares for her extended family, responding to crises, delivering babies, and bearing the brunt of caring for Nimri, including learning to speak with him. She becomes the tribe’s medicine woman and builds up a store of medical knowledge, and she is always on the lookout for someone who needs help.

New FAQ from a Reader

A reader recently asked me this, and I have added it to my FAQs page.

Q. I’ve heard writers say “I was going to do X, but then the character did Y.” I always think, Wait, aren’t you the one who makes up what the character does?

A. Well, it may sound strange, but when we are writing fiction, the characters do “come to life” and do things the author wasn’t completely planning. In fact, I’d go so far as to say that if this does not happen, then the story is not working. All the richest parts of my own stories have come about as a result of this phenomenon.

Of course, the author still has to “make up” what the character is doing in a sense, and write it down. But it seems to come from somewhere else at the same time. This is similar to what happens to actors and musicians when they talk about “being in the zone.” They still have to play the notes or say the words, and they need to be talented and to have practiced. But something more is also going on. This is the reason that ancient poets and storytellers used to invoke the Muse before embarking on their art.

I’m not sure this phenomenon is experienced by every single fiction writer. Perhaps there are some very meticulous plotters who don’t experience this and who still write perfectly good books. But this “characters coming to life” thing is definitely a part of my own process, and I’ve heard many other authors talk about it, so I know I’m not the only one.

On a related note, I’ve heard that some people write up “character sheets” before they begin drafting their novel. They come up with details about the character’s personality, back story, etc. In my case, I don’t do this kind of thing before I start drafting; instead, it’s part of the drafting process. I observe how the characters react in the situations I place them, and they reveal back story as we go. It wasn’t until after writing The Long Guest, for example, that I was able to tell that Nirri is an ESTP on the Meyers-Briggs. And MBTI typing him, by then, was just more a silly, fun exercise than a part of character development.

Fellow authors, please chime in about whether and how you have experienced this phenomenon. Do you count on your characters coming to life during the drafting or outlining process? Or is it something that occasionally happens, and you enjoy, but that you can get through a novel without? Has a character ever become so recalcitrant that you had to re-work your entire plot?

The Guilty Reader Tag

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For the uninitiated, a “tag” is when a fellow blogger asks you to answer a bunch of questions, which usually revolve around a theme. I, for some mysterious reason, tend to get tagged by bloggers who are interested in books, writing, and reading.

This tag was created by  Chami @ Read Like Wildfire and passed on to me by my faithful friend The Orangutan Librarian, a fellow INFP who, like me, is also an expert in guilt. Maybe that’s why I love her sensitive and lighthearted book reviews and parodies.

One. Have You Ever Re-Gifted A Book You’ve Been Given?

Hmm. I don’t think so. But probably. I have been known to buy a book for myself, read it, and then a few years later, give the nearly-new copy to a fellow reader as a gift. And then, after they have enjoyed it, after another few years I have even been known to re-claim it.

Also – fun fact! – I was once given a book that eventually turned out to be a library book. It was pretty good, too.

Two. Have You Ever Said You’ve Read A Book When You Haven’t?

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I have definitely implied it.

Back in my college days, when I made an idol of being intellectual and was consequently a poser about it, I would talk as though I was familiar with philosophers like Plato, when I had not read their works but only heard about them.

(Hot tip: if you make an idol of your intellect, you will always feel like a dummy who is about to be exposed.)

Three. Have You Ever Borrowed A Book And Not Returned It?

Yes. I borrowed a book about children in history from a history prof, let it sit around unread, and then eventually returned it. At least, I thought I returned it. She was unable to find it, as was I.

Four. Have You Ever Read A Series Out Of Order?

All. The. Time. Some series seem to stretch on forever into both the past and future, having neither beginning nor end. *Ahem* Dragonlance!

Also, I love Tony Hillerman’s Navajo police procedurals. But they have a big flaw: they are not numbered as a series! Each one can be read as a standalone, but if you read more than a few of them, you realize that they develop over time. You have to read each book to find out where it fits in with the others in terms of Jim Chee’s disastrous love life, for example. I’ll bet that somewhere on the Internet, someone has listed them in order just for people like me.

Five. Have You Ever Spoiled A Book For Someone?

Um, probably, but I can’t remember. What I remember, of course, is when people spoil books for me. The most egregious instance was when a friend spoiled Things Fall Apart.

Six. Have You Ever Dogeared A Book?

Um, so, this is one of those habits that I have had to belatedly realize makes me uncivilized, and have had to train myself out of. (I won’t tell you the others.)

Seven. Have You Ever Told Someone You Don’t Own A Book When You Do?

Maybe, if I forget that I own it. Or, I might think that I own a book, but do so no longer.

Eight. Have You Ever Skipped A Chapter Or A Section Of A Book?

In nonfiction, all the time. Often you can see where a section is going (if you’re wrong it will quickly become apparent), or the author is laying out background that you already have.

In fiction, I occasionally skip atrocities.

Nine. Have You Ever Bad Mouthed A Book You Actually Liked?

Yes. I still feel bad about a review that did for a reviewing site, where I gave a very decent historical fiction volume 2 out of 4 stars just because the characters occasionally spoke like modern people. Once I got more experience, I got more fair with my reviews.

Moral: The Heart is Deceitful

So, it turns out that I have committed every single pecadillo on this list, from the harmless (forgetting I own books) to the prideful (posing as an intellectual). Not super surprised by this. Jesus Christ came into this world to save sinners, of whom I am the worst.

But one question was left off this list: Have you ever been lost in a book at a time when, in the opinion of people around you, you should have been doing something else?

Yes, yes, a thousand times yes!

I’ll post a quote about that tomorrow.

You post your book pecadillos in the comments.

Best to you all.

Bearing a Burden: the INFP

Just so you know up front, this post is going to talk about a Meyers-Briggs personality type, and also rely on the reader having some background knowledge of The Lord of the Rings.

Now that I’ve weeded out 90% of readers, let’s proceed.

The Meyers-Briggs Typology

The Meyers-Briggs (MBTI) is a personality typology that describes people’s preferences on how to process information and make decisions. People can be Extraverted or Introverted (E vs. I); Intuitive or Sensing (N vs. S); Thinking or Feeling (T vs. F), and Perceiving vs. Judging (P vs. J). I’ve discussed elsewhere the limitations of these binaries. Some people fall right in the middle between two of the preferences, for example, and the four MBTI preferences don’t tell everything about a person’s personality. That said, I still find the typology interesting and useful. In an earlier post, I discussed the ESTP, who is often the disruptive force in the story. Today, I’m going to discuss a much more passive type, the INFP, who is almost the ESTP’s opposite.

Frodo as an example of the INFP

When I say the INFP is “passive,” that’s not a slam. I’m an INFP myself.

The INFP is Introverted. This means that he or she has a rich inner life, and draws his/her energy from within. Interacting with the outer world drains him. (Extraverts get their energy from the outer world.) Many of the strongest characters in The Lord of the Rings are Introverted, from which we can guess that J.R.R. Tolkien probably was as well. That’s not surprising, given that he was a professor who created, just for fun, several languages and an elaborate world with its own history and mythology. Introverts are less than 50% of the population, but they are overrepresented in literature because so many authors are Introverts.

As an NF (Intuitive and Feeling), the INFP is very sensitive to the feelings of those around him. He or she cares a lot about all relationships being harmonious at all times. Conflict of any kind stresses the INFP out to a greater degree than other types. This can mean the that INFP will unhealthily say or do anything to avoid conflict. The up side is that the INFP wants to have a good relationship with, and believes that he can reach, anyone. Exhibit A is Frodo’s ability to understand and even win the loyalty of Gollum.

INFPs are not quick to thrust themselves forward, take leadership, or take the initiative. They don’t want to do a task until they feel they understand it and can do it well. Mistakes are an unacceptably high cost when you can’t tolerate any damage to any relationship (read: criticism).

As a not very quick, ambitious, or assertive type, the INFP can often appear to be contributing nothing to the group.

This is really apparent when we look at Frodo’s role in the Ring saga. He delays a long time leaving on his quest and needs a push from his friends. Once he does set out, he spends all three books getting into hot water and getting rescued by people who are more powerful, capable, or (in the case of Sam) harder working. Like the other hobbits (but even more so), for about the first half of the adventure Frodo appears to be almost a pure taker. In fact, some of the most famous scenes in LOTR involve someone literally carrying him: the humans carrying the hobbits down out of the snow drifts on Carhadras. Aragorn running out of Moria with Frodo in his arms after Frodo gets speared by an orc. Sam carrying Frodo up Mt. Doom.

What is this guy good for, anyway?

Of course, as we all know, Frodo is weak and passive not just because of his personality but because he is in fact carrying a heavy, but unseen, burden: the Ring. It’s a spiritual burden that occupies his mind, allows him to see what others can’t, and exposes him to terrors. It also, more and more as the story goes on, saps his strength. He may not appear to be contributing anything, but he is doing real work for the group, though that work is hard to quantify.

Tolkien makes it so that the work Frodo does, bearing his burden, is obvious to the reader and is also clear to, and appreciated by, the rest of the Fellowship. Most people don’t read The Lord of the Rings and come away saying, “I don’t see what the big deal was about Frodo. He didn’t do anything.”

Non-Frodo INFPs also bear a burden. They bear the burden of their worry about every single person and relationship they are aware of, and of their ability to take personally everything that happens in the world. Of course, the nature of this burden varies with the maturity of the INFP. When immature, our burden is self-absorbed in nature. We want everyone to like us, we want never to be criticized. But as we mature, this can move on to becoming genuine concern for the well-being of all the people whose existence we know of.

This is a heavy burden indeed. When news travels around the world in seconds, no problem or tragedy can fail to come to the attention of the INFP. An INFP who really takes every human tragedy to heart will be too overwhelmed. Only one Man (who, in my opinion, was the perfect example of all the Meyers-Briggs types) is capable of bearing the sins of the world. As an INFP of a certain age, I have had to master the skill of consciously setting things aside as not my problem to worry about so that I can function.

Still, even if we limit the INFP’s burden to the sins and sorrows of the people in his or her immediate circle, that’s a lot. If you know an INFP (and you are not one), they are probably thinking about all of this stuff a lot more than you are. They are expending a lot of mental energy on it. That may be why they need so much sleep. If they are a Christian INFP, they are no doubt also wrestling in prayer for you and for everyone in their circle.

Bearing a burden.

Introverts in Church

Pastor to congregation: Now let’s confess our sins before the Lord.

Introvert: [starts to pray silently]

Pastor: Quietly, in our hearts.

Introvert: [starts to pray silently]

Pastor: Perhaps it’s something you have [makes a suggestion]. Or perhaps [makes another suggestion].

Introvert: [starts to pray silently]

Pastor: Or perhaps it’s simply [makes a third, rather lengthy, suggestion].

Introvert: [starts to pray silently]

Pastor: Amen.

Introvert: [confesses sin of wanting to throttle pastor]

Factory Settings

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Happy Valentine’s Day!

Today’s post is about cognitive science. But it’s also about love, in ways that will become clear.

In this post, I will regurgitate what Jordan Peterson has said about the Big Five personality traits, and then I will have a comment about them. If you doubt my word, or want to hear the same things said in a much more detailed, professional, and actually egg-headed manner, please feel free to watch the JP video below.

I have posted before about the MBTI, a personality typology which some people find insightful, but which was developed by amateurs. The MBTI makes a lot of intuitive sense to many people, but it was still made up. And it is not the only one with this problem. Peterson points out in this video that most personality typologies started as a theory which the developers then tried to apply to actual people. Not so with the Big Five. These are personality traits that emerge naturally from data. (JP says that much more convincingly than I do, of course.) They vary among individuals within every culture, and they are fairly stable throughout a person’s life. These traits are on a continuum, not binary. Each of us comes into this world falling at a certain point on each of these continua. As we mature, we expand our range along the continuum, but we are never going to move our set point from one end of a continuum to the other.

The Big Five Personality Traits

This will be easier to understand if we look at the Big Five.

Extraversion

Neuroticism

Agreeableness

Conscientiousness

Openness (to new experiences)

Very extraverted people draw energy from being around others. Very introverted people are drained by this. (This is the only trait from the Big Five that shows up, with the same terminology, in the MBTI.)

People with high neuroticism are more susceptible to negative emotion.

People with high agreeableness want to please others. Less agreeable people are less motivated to please others and more motivated to reach their own goals.

People with high conscientiousness are more industrious and more orderly than people without.

People with high openness tend to be creative types. They are also more likely to be politically liberal. (I am high openness, but due to a long personal journey, not politically leftist. My politics are spite of my temperament. This does mean that typical conservative arguments often don’t appeal to me.)

The Big Five and the Sexes

This is an aside, but Peterson often refers to the Big Five traits when talking about average differences between men and women. Women are, on average, more agreeable than men, higher in neuroticism, and slightly higher in conscientiousness. It is easy to see why these traits would flow from being designed to be moms. Even a greater tendency to negative emotion is an advantage when you’re taking care of preverbal children and you have to be sensitive to their distress.

These Are Factory Settings

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It’s easy to see how a person could feel inferior by virtue of having any given one of these traits. It’s also easy to imagine how people who are proud of their trait could think there is something seriously wrong with people on the other end of the continuum.

  • Why don’t you want to be around other people?/ Why can’t you ever entertain yourself? (Extraversion)
  • Why are you so sensitive?/so insensitive? (Neuroticism)
  • Why are you so domineering?/so wishy-washy? (Agreeableness)
  • Why are you so lazy and irresponsible/so uptight and controlling? (Conscientiousness)
  • Why are you such a stick-in-the-mud/a hippie? (Openness)

Relax, people.

All of us have character flaws. And sure, they fall along the fault lines of our Big Five traits, no doubt. But having any given one of these traits is not the same thing as having a sin nature. Conversely, not a single one of these traits will make the bearer a perfect person, either. These are just the factory settings.

And now we get to the love.

I was thinking about these traits as I sat in a Sunday School lesson about the love of God. To be specific, I was bemoaning that my natural tendency is to be low in conscientiousness. This has often caused me trouble with loved ones who are higher in conscientiousness. How can that be a good thing? Why didn’t God set my natural conscientiousness level a little higher? What was He thinking?

In a move typical of people who are high in openness but low in conscientiousness, I was lost in my thoughts rather than paying close attention. But then, the topic of the Sunday School lesson abruptly broke in upon my consciousness.

He loves me.

He loves me, and He made me, and, for some reason, He chose to make a person who is a bit low in conscientiousness. In fact, He chose to make people with all different Big Five factory settings. Ergo, all of these factory settings are by design. He must think we need all kinds.

Ergo, He likes your settings. Even if someone else doesn’t. Even if no one else does.

Happy Valentine’s Day!

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Self-Pitying Quote of the Week

Mr. Haig-Ereildoun may be like me. Full of charm, winning everyone’s affection, but somehow not quite doing the job. I can say that the advertising agency chose me to fire because I was the youngest … But I know it was more basic than that. I did win awards. But I lost hours, days, weeks, trying to make jewels out of the twenty-five-cents-off coupons ads. Everyone loved me, but in a practical world I wasn’t what they needed. It’s hard, actually scary, being the kind of people Mr. Haig-Ereildoun and I are.

The Diary of an American Au Pair by Marjorie Leet Ford, Anchor Books, 2003, p. 182