So, within about the past month, I’ve watched two different psychological thrillers on Netflix. And they are both the same damn movie. (And I use damn advisedly.) In both, the viewer knows only what the point of view character knows. And he (it’s a he in both movies) is uncovering a conspiracy. Until, at the very end, it turns out that he’s delusional. Many of the major events in the movie, which were shown to the viewer as if in good faith, were actually happening only in his mind. Actual events were quite different. The interpretation he was putting on everything was completely wrong. In one of the movies, the point of view character is brought to realize this, at least briefly. In the other, it is made plain to the viewer only.
I am pretty ticked at both of these movies. Especially at them both being on Netflix at the same time.
On the one hand, they are well-written, well-plotted, well-filmed and well-acted. Tense as heck. They are an immersive experience that helps the viewer understand what it feels like to be delusional. (In both cases, the break with reality was brought on by trauma. In both cases, actually, involving the death of a child.) So, they are very good.
But this strength comes at a pretty steep cost. Namely, they can make you doubt yourself something fierce. I think that the reveal at the end of each movie was that the person was delusional. But who really knows? Maybe I am misinterpreting what the director was trying to say. Maybe I did not even watch the danged movies. Maybe there is no such thing as reality.
This has to be intentional, right? Two movies, running concurrently, aimed at people who like psychological thrillers, both of them trying to tell you that you can’t really know what is real. I mean, God help you if you’ve got dissociative disorder. (And I use God help you advisedly.)
I’m with G.K. Chesterton on this. Or rather, he is there, throwing me a lifeline. GKC believed strongly that we have a moral obligation to believe in reality and to trust our own perceptions of it. I don’t have any of the quotes in front of me, but I do remember that he said something like, “Every day you can hear an educated man utter the heretical statement that he may be wrong.” He also tells a long story, elsewhere, about how he spent an evening at a friend’s house where they had a brisk philosophical debate. GKC was maintaining that reality exists and can be known. His friend was maintaining the opposite. Having vigorously defended reality, GKC got into a taxi and, when he arrived at his destination, had one of those confusing conversations with the cab driver that make you feel as if you’ve fallen through a portal. The cab driver remembered picking up GKC at some other location, and remembered GKC having said something to him that he didn’t say. GKC argued with the man for several minutes, and after just a few minutes was starting to doubt himself and, thus, reality. Then, just when GKC was beginning to waver, the cabman got on his face a look of sudden revelation as he realized that he was remembering a different customer.
You might think that someone like GKC, who believes that “I might be wrong” is a heresy, would be arrogant and impossible to convince of anything. But that’s not necessarily true. If you believe in reality and trust your perceptions of it, then you can be presented with evidence. And if the evidence is good, you can change your mind. If you don’t have the baseline trust in your own mind, then no amount of evidence is going to convince you.
One more, equally sinister, aspect of all this. Traditionally, Hollywood likes to give us messages that we should not trust authority. The cops are on the take. The conspiracy goes all the way to the top. The experts don’t know everything. We are “sleeping with the enemy.” The two movies I watched recently give the opposite message. They play on our expectations that experts and authority figures in movies will turn out to be villains. In both of these particular cases, it is doctors (medical doctors in one; psychologists in another) who appear to be concealing the truth. They appear to want to treat the protagonist like he’s crazy, or else frame him for being crazy. There is bureaucracy and gaslighting and all the stuff we find in dystopias. But in this case, they turn out to be right. What to do you know? He actually is crazy. If only he had listened to them. Lives could have been saved.
I think both of these movies were made before you-know-what, so it’s probably a coincidence. Still, I’m not super comfortable when two pieces of well-done art say to me in stereo, “Trust us. We know what reality is and you don’t. We know best.”
I hope you are not tired of hearing me rant about pagan cultures and why Christians should not think of pagan cultural practices a contaminating substance. This topic may be starting to seem as if it’s relevant only to anthropology geeks like myself, who use their spare time to write anthropology-heavy novels about people who were pagan by default because they lived in a time when there was no other way to be.
But, on the contrary, I think it is very relevant to everyone. There are modern-day tribal people who would like to follow Christ without giving up their entire cultural identity. There are neo-pagans who, living in our technological, post-Christian world, turn to the religions of their ancestors (or a personalized version thereof) because they are looking for something that it appears neither secularism nor the modern evangelical church can offer.
There are Christians who, because of an incomplete understanding of these issues, put stumbling blocks in the path of both the aforesaid groups and in the path of their fellow believers who would like to have a whole, rounded culture. And finally, there are enemies of Christ who would like nothing better than to portray His followers as puritanical, culturally vacuous, colonizing Western imperialists. And who knows, perhaps they actually believe that they are.
All of these people could benefit from a deeper understanding of how formerly pagan practices carry meaning in the modern day. That’s why I have said that, although Christmas trees are not actually pagan, I would still have one if they were. And I will go farther. My kids and I make jack-o-lanterns too. Call, and raise you Hallowe’en. Also, I bake Christmas cookies, hide Easter eggs (!), say “bless you” when someone sneezes, and had bridesmaids at my wedding.
The following is a re-working of a book review I once wrote, which I hope will help to clarify some of the issues. Enjoy! Then go out and kiss under the mistletoe!
Review of Pagan Christianity? Exploring the Roots of Our Church Practices
This book examines a variety of common church practices. It really needs to be reviewed chapter by chapter, because some of the chapters raise good questions about complex topics (for example the one about baptism), while others are just laughable (for example the one about why it’s a sin to dress up for church). But lacking the space for such a detailed approach, I would like to focus on a particular assumption that underlies this book and its scare-mongering cover: the idea that anything that started out as a pagan practice is unlawful for Christians. (The key word here is “started out.”)
In the acknowledgements, Frank Viola tells us the origin of this book: “I left the institutional church … I sought to understand how the Christian church ended up in its present state. For years I tried to get my hands on a documented book that traced the origin of every nonbiblical practice we Christians observe every week.” (xiii) Notice, Viola had already decided that institutional Christianity was thoroughly broken. He “knew” that most things most churches were doing, were unbiblical (they may be too, but not in the way Voila thinks). If these practices did not originate in the Bible, they must have come from somewhere else. Since Viola could not find the book he was looking for, he researched and wrote it himself. To his credit, he acknowledges the limits of his research and hopes that true scholars will pick up where he left off.
Viola’s experience is re-created within each chapter. First, we are told that whatever practice the chapter is treating (church buildings, sermons, etc.) is unbiblical. Then, there follows a brief historical survey of how such a practice developed from paganism. Then, we are given the real reasons the authors dislike the practice: arguments that it is undemocratic, unbiblical, or both. These later arguments are real arguments and deserve to be answered. But they are irrelevant to whether a given practice is pagan. If Jesus commands us to do something that the pagans also do (e.g., be shrewd in dealing with people – Luke 16:8 – 9), then that practice is biblical, right? A practice should stand or fall on its own merits, regardless of what it resembles or what it developed from. But in the authors’ minds, if they can show that something developed from a similar thing that was pagan, they have got at least halfway to proving it is unbiblical. And I fear that many American Christians would agree with them.
Interestingly, modern neopagans share this assumption. (You can find their articles on the Internet.) They delight in pointing out the similarities between Christian and pagan practices, and especially the borrowings. They assume that by pointing these out, they have proved that Christianity is not unique.
G.K. Chesterton, in his book The Everlasting Man, has blown this argument apart. He argues that human beings were created by God to do certain things. Human beings, wherever they live and whatever their religion, will do these things. They will have festivals and parties at certain times of the year. They will pray. They will make beautiful clothes and dress up sometimes. When circumstances permit, they will bake cakes. All this is part of the creation order and the cultural mandate, in addition to being lots of fun. The tragedy of pagans, Chesterton continues, is that they do not really have anything or anyone to do these things to or about. They are forever in search of an entity and an event that matches their huge, God-given, distinctively human capacity for celebration and worship. Eventually, it all falls through and degenerates into violence, or superstitious fear, or a sexual free for all.
But God does not command us to stop doing legitimate and lawful things when we leave the pagan gods to worship Christ. He redeems these things! For the first time, we do them for a good reason. So once, we baked hot cross buns unto the Spring Equinox. Now, we bake them unto Christ, and eat with even more joy in our hearts. Once we sang songs and made art unto our pagan gods. Now we sing and make them unto Christ!
Let me hasten to add that of course some pagan practices cannot be carried over into the Christian life. Worshipping other gods is out. So is temple prostitution, consulting the dead, divination, practicing magic, and making images to be worshipped. All of these are explicitly forbidden in the Bible, so we do not need to discuss their origins to see that they are unbiblical. Oh, and don’t let me forget a really big one:sacrificing our children to our gods, whatever those gods might be.
But there are a host of human activities that are not unlawful in themselves, are not condemned in Scripture, yet were certainly done by pagans before they were done by Christians (or even Jews). What I think the authors fail to realize (and what many of us in this modern age fail to realize) is that every human activity, good or bad, was originally done by pagans. Think about the wide range of things this encompasses. It includes cooking, medicine, self-defense, pregnancy and childbirth, coming of age, wedding ceremonies, engineering and construction. It is going to be awfully difficult to find one of these life passages that is not marked by practices that were once pagan.
Pagans are human beings, and they do everything that human beings do. So, art, formal clothing, dancing, and yes, sacred buildings, priests, and sermons are not necessarily forbidden to us just because pagans do them. We will have to find stronger arguments if we want to get rid of these things. What we cannot do is strengthen a weak argument against a practice by tacking the word “pagan” on it. This is dishonest, and frankly it is unfair to pagans. Why blame them for the fact that you don’t like liturgical robes?
[I]n these pagan cults there is every shade of sincerity — and insincerity. In what sense exactly did an Athenian really think he had to sacrifice to Pallas Athene? In what sense did Dr. Johnson really think that he had to touch all the posts in the street or that he had to collect orange-peel? In what sense does a child really think that he ought to step on every alternate paving-stone? … [These things] have the sincerity of art as a symbol that expresses very real spiritualities under the surface of life. But they are only sincere in the same sense as art; not sincere in the same sense as morality. The child does not think it is wrong to step on the paving-stone as he thinks it is wrong to step on the dog’s tail.
These are the myths: and he who has no sympathy with myths has no sympathy with men. But he who has most sympathy with myths will most fully realize that they are not and never were a religion…. They satisfy some of the needs satisfied by religion; and notably the need for doing certain things at certain dates; the need of the twin ideas of festivity and formality. But though they provide a man with a calendar they do not provide him with a creed. A man did not stand up and say ‘I believe in Jupiter and Juno and Neptune,’ etc., as he stands up and says ‘I believe in God the Father Almighty’ and the rest of the Apostles Creed.
The crux and crisis is that man found it natural to worship; even natural to worship unnatural things. The posture of the idol might be stiff and strange; but the gesture of the worshipper was generous and beautiful. He not only felt freer when he bent; he actually felt taller when he bowed. Henceforth anything that took away the gesture of worship would stunt and even maim him forever. If man cannot pray he is gagged; if he cannot kneel he is in irons.
When the man makes the gesture of salutation and sacrifice, when he pours out the libation or lifts up the sword, he knows he is doing a worthy and virile thing. He knows he is doing one of the things for which a man was made. His imaginative experiment is therefore justified. But precisely because it began with imagination, there is to the end something of mockery in it, and especially in the object of it.
G.K. Chesteron, The Everlasting Man, excerpts from the argument that runs pages 107 – 112
To-day all our novels and newspapers will be found swarming with allusions to a popular character called a Cave-Man. So far as I can understand, his chief occupation in life was knocking his wife about …
In fact, people have been interested in everything about the cave-man except what he did in the cave. Now there does happen to be some real evidence of what he did in the cave. What was found in the cave was not the horrible, gory club notched with the number of women it had knocked on the head. [It was] drawings or paintings of animals; and they were drawn or painted not only by a man but by an artist. They showed the experimental and adventurous spirit of the artist, the spirit that does not avoid but attempts difficult things; as where the draughtsman had represented the action of the stag when he swings his head clean round and noses towards his tail. In this and twenty other details it is clear that the artist had watched animals with a certain interest and presumably a certain pleasure. [I]t would seem that he was not only an artist but a naturalist.
When novelists and educationists and psychologists of all sorts talk about the cave-man, they never conceive him in connection with anything that is really in the cave. When the realist of the sex novel writes, ‘Red sparks danced in Dagmar Doubledick’s brain; he felt the spirit of the cave-man rising within him,’ the novelist’s readers would be very much disappointed if Dagmar only went off and drew large pictures of cows on the drawing-room wall.
G.K. Chesterton, The Everlasting Man (orig. ed. published 1925), pp. 27 – 30
Today I will be doing the Finally Fall Book Tag, which I got from Riddhi. A tag is a series of prompts that the blogger responds to, usually by naming one or more books. At the end, we are supposed to “tag” other bloggers, but we all know that I don’t do that because it just gets too complicated, what with not wanting to leave anyone out, not wanting to hand anyone a task they hate, etc., etc. It’s sort of like planning a wedding that way.
In fall, the air is crisp and clear: Name a book with a vivid setting.
The Lord of the Rings.
OK, look, TLOTR could actually be the perfect answer for every one of these prompts, am I right? So I’ll just name it for each of them, and then one other one that is my backup answer.
Beyond Middle Earth, I suggest you check out the setting in Ursula Le Guin’s Hainish cycle. It’s on a planet that, because of its orbit, experiences seasons that last for lengths of time that we on Earth would call years. The people who live there have eyes with no whites to them. After intermarrying with immigrants from Earth, they develop a skin tone that is navy blue in the upper classes and “dusty” blue in the lower classes. It’s fascinating, brutal, and beautifully written.
Nature is beautiful… but also dying: Name a book that is beautifully written, but also deals with a heavy topic like loss or grief.
The Lord of the Rings. They kill off Gandalf.
Also, this book. The Holocaust, survivor’s guilt, lost children, neurological disease. Are those topics heavy enough? See my full review of ithere.
Fall is back to school season: Share a non-fiction book that taught you something new.
The Lord of the Rings will teach you terms like weregild (“person-money” – money paid in compensation for someone’s death).
Everybody please go read this and as many other Thomas Sowell books as you can get your hands on.
In order to keep warm, it’s good to spend some time with the people we love: Name a fictional family/household/friend-group that you’d like to be part of.
Failing that, I would be honored to live and work with Mma Potokwane, the forceful woman who runs the orphanage in The No. 1 Ladies’ Detective Agency series.
The colourful leaves are piling up on the ground: Show us a pile of fall coloured spines!
I didn’t intend it, but every book in this pile except for The Family Mark Twain is indie published.
And Neanderthal Woman is homemade.
Also … the golden-leaved mallorn trees of Lothlorien.
Fall is the perfect time for some storytelling by the fireside: Share a book wherein someone is telling a story.
One of the best things about Lord of the Rings is the way you keep getting hints of yet more ancient places, people, and stories.
And for my backup answer, we have Ursula Le Guin again. In her Earthsea trilogy, there is a very creepy story told about a stone that if you so much as touch it, steals your soul. In her book Left Hand of Darkness, the main story is interspersed with short myths to help us get a feel for the culture of the planet the story is set on, where glaciers cover about half the landmass and people are sexless for most of each month.
The nights are getting darker: Share a dark, creepy read.
The Balrog, and Shelob, and the Ring and the effect it has upon people, are all pretty doggone creepy.
Also, The Dark is Rising and the whole series that follows it deals with pre-Roman paganism still alive in Britain.
The days are getting colder: Name a short, heartwarming read that could warm up somebody’s cold and rainy day.
The Hobbit. Annndddd …
Allie Brosch’s new book Solutions and Other Problems.
It’s not heartwarming in the sense that it presents the universe as a rational or hopeful place, BUT it did make me laugh so hard it brought tears to my eyes. It’s not short in the sense that it’s a big, thick hardcover, BUT that’s only because it is packed with her funny (and actually very artistic) drawings. It’s a fast read.
Fall returns every year: Name an old favourite that you’d like to return to soon.
THE LORD OF THE RINGS.
Also, this book, The Everlasting Man, by the ebullient GKC. I recently ordered my own copy so that I could mine it for future quotes on the blog, and I quickly discovered that GKC was the original source of all my suspicions about ancient people having been just like us, but smarter.
Fall is the perfect time for cozy reading nights: Share your favourite cozy reading “accessories”!
By the way. The Seven Deadly Sins are easy to remember, in groups of two, three, and two. There’s The World (Envy, Greed); The Flesh (Lust, Gluttony, Sloth); and The Devil (Anger … and the granddaddy, Pride). The seven virtues are the flip side of these.
Once when I was at university, the theme of our homecoming week was the extremely creative “We’ve Got Pride.” I will always love my fellow English majors who named their contribution to the parade “Beyond pride: the seven deadly sins.” They wanted to show that “[our university] also gots Envy, Greed, Lust, Gluttony, Sloth, and Anger.” And of course it was true.
CHASTITY: Which author/book/series you wish you had never read?
Hmm. It’s rare that I go on wishing I had never read a book. Usually if it stuns me with some horror, I hate it at the time, but as my mind assimilates the idea, I’m glad to have encountered it in a book so that I can grapple with that aspect of the world.
A good example is Ken Follett’s Pillars of the Earth. A major part of the plot is a sexual assault. It’s described graphically. The creepy lead-up and the lengthy aftermath include scenes from the point of view of both the victim and rapist. When I read this, it was the first time I’d read a rape described in detail (or, at least, the first time I understood what I was reading). It was very traumatic, and it led to lots of crying and praying for women who were real-life victims. So, as you can see, it bore some good fruit almost immediately.
Later I read another book by Ken Follett in a completely different genre, and it also featured a serial stalker and rapist, with many scenes written from his point of view. At that point I decided that I would not read any more books by Ken Follett, nor would I ever get on an elevator with the man.
TEMPERANCE: Which book/series did you find so good, that you didn’t want to read it all at once, and you read it in doses just to make the pleasure last longer?
I don’t usually show temperance when it comes to serious, emotional reads. … OK, I actually don’t have much temperance at all. I once stayed up all night finishing Mary Doria Russell’s The Sparrow.
However, with comic series, I find that if you binge on them they can become wearing, whereas if you read one every once in a while, they are refreshing. For example, P.G. Wodehouse’e Bertie Wooster books and Janet Evanovich’s Stephanie Plum series.
CHARITY: Which book/series/author do you tirelessly push to others, telling them about it or even giving away spare copies bought for that reason?
Well this question will contain no surprises to anyone who knows me or has followed my blog for any length of time.
The Emberverse series by S.M Stirling: I recommend this often because it encompasses a wide range of interests. The first few books are post-apocalyptic, and then it becomes more of a fantasy series. I’ve recommended it to people because it’s set in the Northwest (Idaho, eastern Washington and Oregon, northern California). Recently I recommended it to someone who is interested in retro martial arts such as sword fighting and archery, because there is a ton of that in these books, including descriptions of how the weapons are made and gripping battle scenes. The research on these books is both wide and deep, from ecology to botany to anthropology to martial arts to Celtic mythology.
‘Til We Have Faces: A searing, emotional novel about friendship, identity, divided loyalty, and religion. One of C.S. Lewis’s less famous works.
The Everlasting Man (non-fiction): G.K. Chesterton discusses paganism and why it expresses important things about being human … with the cheery paradoxes that only he can bring.
The Divine Conspiracy(non-fiction): With wit and wisdom, Dallas Willard applies the Gospels in a fresh way (which we all need frequently). This is so well-written that it’s a pleasure to read, and you just sail through it even though it’s quite thick.
Now, go forth and read these!
DILIGENCE: Which series/author you follow no matter what happens and how long you have to wait?
Agatha Christie. She has such a large corpus of work that even though I think I’ve read all her novels, I’m never sure.
Also, the Brother Cadfael series by Ellis Peters.
Also anything by Tony Hillerman or Dick Francis.
It looks like formula mysteries are my genre for this.
PATIENCE: Is there an author/book/series you’ve read that improved with time the most, starting out unpromising, but ultimately proving rewarding?
Watership Down. It is gripping from the first, don’t get me wrong, but it is so long. Then when you get to the end, you discover that the author is doing things with it that only a really long book can do.
KINDNESS: Which fictitious character would you consider your role-model in the hassle of everyday life?
Any strong, quiet, capable character who consistently takes care of others. Durnik in the Belgariad; Precious Ramotswe in The No. 1 Ladies series; Bardia in ‘Til We Have Faces; Sam Gamgee, Aragorn, Gandalf, Aslan. And, of course, Zillah from my own books.
Unfortunately my gifts and personality are almost opposite from all these characters. But I’ve always wanted to be strong, quiet, calm, and capable.
HUMILITY: Which book/series/author do you find most under-rated?
This is a hard one to answer because I don’t always have a real great idea of what other people are reading. How can I know that the gem I’ve “discovered” hasn’t also been discovered by a bunch of others?
Apparently Thomas Sowell has a bunch of great books about economics and society that have helped the people who’ve read them greatly … but I have not read them, only watched videos of him speaking. There are many such examples.
I hesitate to tag people because it seems to freak them out. But if you get inspired by any of the questions in this tag, please answer them either at your own blog or in the comments.
G.K. Chesterton has addressed the important question of what paganism really is and how it relates to being human in his book The Everlasting Man. So I was going to do a brand-new post about paganism drawing on that book. I was going to discuss how not everything in pagan practice is what we would strictly call religion, because it includes local history, genealogy, cosmology, entertainment, medicine, etc., etc. I was going to mention that all human beings need rituals, ways of dealing with illness, ways to mark the seasons, times of mourning and times of play, that literally every human practice was developed first by pagans and blah blah blah.
But I wasn’t able to get access to G.K. Chesterton’s book so as to write a brand-new post on all of this. Besides, conveniently, I have already written one.
Oddities only strike ordinary people. Oddities do not strike odd people. This is why ordinary people have a much more exciting time … The old fairy tale makes the hero a normal human boy; it is his adventures that are startling. They startle him because he is normal. The fairy tale discusses what a sane man will do in a mad world.
So, the Sunshine Blogger award is given to bloggers by other bloggers who believe that the recipients spread sunshine. Imagine how surprised and thrilled I was to be given this award by Rachael Corbin at The Crooked Pen. Thanks, Rachael!
The Sunshine Blogger award is also a tag. If you get tagged, you must …
Thank the person who nominated you and provide a link back to their blogging site.
Answer the questions.
Nominate 11 other bloggers and ask them 11 new questions.
Notify the nominees about it by commenting on one of their blog posts.
List the rules and display the sunshine blogger award logo on your site or on your post.
So, Numbers 1 and 5 down, 2 through 4 to go.
Here were Rachael’s questions:
What was the most transformative reading experience you have ever had?
I am going to leave out those times when I’m reading some
passage in the Bible and all of a sudden something jumps out and punches me in
the gut. Or when it crawls into my head and
becomes lembas that I feed on
throughout the day. Some of you readers will know what I mean.
Other than that, my most transformative reading experience has been ‘Til We Have Faces by C.S. Lewis. I read it in college. The tortured friendship between Orual and Psyche in the book closely mirrored a relationship that had been toturing me through the previous several years … though of course with a much more tragic yet satisfying ending. Anway, it helped me see that some of the problems we were having were not purely my fault nor purely hers, but built into the nature of reality. Also, Faces is just packed with insights and it’s set in an ancient pagan culture, which I love. C.S. Lewis is under-appreciated for his ability to write horror, and there is plenty of that in this book.
2. What is a book you wish someone would write?
be honest, it’s probably already been written.
a sucker for well-researched fiction set in ancient cultures. So I would love to read a book set in the
heyday of the Anasazi … or Carthage during the
Punic Wars … or a Noble Savage book where the noble savage is one of the Gauls
during Caesar’s Gallic Wars … or What Was Really Going with Stonehenge.
have seen people take a stab at some of these, but never as thoroughly as I’d
like. But, again, they are probably out
there. I just haven’t discovered them
For example, Bjorn Andreas-Bull Hansen has written some novels about Vikings. I think these are exactly the Viking novels I’ve always wanted to read … but they don’t exist in a language that I know! Aargh! (By the way, go to his site. Sign the petition to get his books translated into English.)
But I have, in my possession, waiting to be read, Pompeii by Robert Harris and People of the Silence (about the Anasazi) by Kathleen O’Neal Gear and Michael W. Gear. I have high hopes for both these books.
3. Where is somewhere you really want to go, but have only read about in a book?
would be shorter to list places that don’t
match that description.
I guess my current #1 place would be Mongolia. I had to research it for my first book, and it looks so beautiful. It also resembles my home state a bit in the sense of being vast, treeless, high-altitude, and far inland. And I love the herding culture. The food is gross though. (Follow that link and scroll down to the heading “Exotic Nomad Foods.”) Also, my kids are extremely interested in the Mongolian Death Worm.
4. If you could have a book re-written, which book would it be?
1984. I know, I know, the ending is integral to the book itself, but … still. I would like to see Winston hold firm at the end. Or find out that Julia had.
5. What is a book you dislike that everyone else loves?
1984 and The Great Gatsby. (Or, I guess people love these?)
6. If you had the power to bring any mythical creature to life, which creature would it be?
Mongolian Death Worm.
Just kidding. I don’t know. Maybe Grendel so I could find out whether he was really a T-Rex.
7. Where is your ideal reading spot?
When I am reading, any spot becomes ideal. (Car, bus seat, middle of a party …) But I prefer to be comfy (plushy chair or sofa) with a view of the outdoors and some place to set my coffee.
8. What is the most disappointing book you have ever read and why?
I am going to pick on one particular book here, but it’s representative of a
whole category of disappointing books.
The Sign by Raymond Khoury, 2009. This book was disappointing for many different reasons (see my full review of it here). But the main reason was this: it promised mystical adventures but delivered only international intrigue.
It is not the only book that has this problem. It’s just the only one that I happen to be able to remember the title of.
9. What is your favorite genre of book and why?
Ancient mysteries/historical fiction set in ancient cultures. But I don’t read a lot of this genre for two reasons. Firstly, it’s kind of hard to find. Too often, purported “ancient mysteries” books end up being modern thrillers. (See above.) And when I do find a book that scratches this itch, I have to be careful. If I’m writing my own version of this genre at the time, I don’t necessarily want to be pulled into another world until my own has gelled.
So what I end up reading a lot is mysteries, especially mysteries with an anthropological bent like those by the wonderful Tony Hillerman.
As for why the “ancient mysteries” genre is my favorite (also why I like my mysteries to be anthropological), I can do no better than to quote the following poem from C.S. Lewis, titled, “To Certain Writers of Science Fiction”:
Why did you lead us on like this
Light-year on light-year, through the abyss,
Building, as if we cared for size,
Empires that covered galaxies,
If at the journey’s end we find
The same old stuff we left behind …
Well-worth Tellurian stories of
Crooks, spies, conspirators, or love,
Whose setting might as well have been
The Bronx, Montmarte, or Bethnal Green?
Why should I leave this green-floored cell,
Roofed with blue air, in which we dwell,
Unless, beyond its guarded gates,
Long, long desired, the unearthly waits:
Strangeness that moves us more than fear,
Beauty that stabs with tingling spear,
Or wonder, laying on the heart
That fingertip at which we start
As if some thought too swift and shy
For reason’s grasp had just gone by?
10. If you could make one book required reading, which book would it be and why?
The Everlasting Man by G.K. Chesterton. I almost listed this one as my transformative book because it set me free to love paganism while still remaining a Christian. I think everyone should read it because there is a ton of misunderstanding out there about the pagan roots of all cultures, and this book clears that up in such a beautiful, lyrically written way even though it’s nonfiction.
major qualifier. Chesterton frequently
lapses into anti-Semitism and it’s really jarring, not to mention inconsistent
with his usual generous way of viewing the world. (TEM
was published in 1925, before the Holocaust.) Also, as this book was written almost 100
years ago, Chesterton can come off as overly focused on the West and a bit
insensitive and ignorant about non-Western cultures. Nevertheless, his insights about paganism can
be fruitfully applied to any traditional culture, and I think they ought to be.
Other than that, I heartily recommend this book. I am thinking about doing a Hallowe’en post that relies heavily upon it.
11. What is your favorite bookish ship? (noncanonical and crack-ships are acceptable answers)
so at first I was going to name the Dawn Treader from Voyage of the Dawn Treader because I don’t read a lot of sea
those who aren’t up on fan fiction terminology (as I barely am), a ship is when
you imagine two characters from a book or books getting together as
couple. (Short for “relationship.”) Non-canonical ships are pairings that didn’t
happen in the original book or series. “Crack”
ships are pairings that you would have to be on crack to even think of.
I am not a big noncanonical shipper. I just enjoy the ships as they show up in the books. But, I did always think that rather than going off to live with the dwarfs and eventually get kissed by the Prince, Snow White ought to have run off with the huntsman.
Now, here are my questions for you …
What kinds of non-fiction are you most likely to read?
What is your culture crush? If you are a book blogger, you must have at least one. But please feel free to list more than one.
What one currently living writer would you most like to have lunch, a beer, or coffee with? (Pastors count if they have written a good book or two. Bonus points if it’s a pastor you could have a beer with.)
What genre do you think is not your favorite, but find yourself picking up again and again?
Sex scenes: poetic, explicit, or none at all?
Favorite animal protagonist from a book or series?
Have you ever stopped identifying with the point-of-view character in a novel, and what caused it?
Did you then finish the book, or put it down?
Dream vehicle from real life or fiction.
If you currently have a Work in Progress (or are pitching a recently finished one out), give us your one-sentence hook for it.
Post a favorite poem or fragment of poetry. If you don’t read poetry, then song lyrics count.
By the way. Commenters, if one of these questions really pulls your chain, feel free to answer it in the comments.