Keltie Sheffield is a real estate agent. In space. About two thousand years after humanity has learned to take to the stars. She sells planets like you would sell a house, but with a 200-year mortgage, paid off by the buyer’s great-grandchildren. She sells this one planet, which she thinks is uninhabited, but … you can imagine how that could possibly go wrong.
Also, she’s a young career gal who chose this path to spite her parents. Lost in space, she’s rescued by an adorable, gentlemanly military reservist named Grayson, and … you can imagine the possibilities.
At 162 pages, Phantom Planet is light, crisp, and refreshing, sort of like eating a handful of cucumber slices, maybe with a little tzatziki. Also like that, it goes quickly, and sort of feels like it was written quickly. I finished it in about one day. Also like the cucumber, it is really tasty (i.e. fun) and digestible, but it feels like just the appetizer. I got the feeling this book was the setup for a much larger epic. Which it is, as it is one in a planned series called “Galaxy Mavericks.” Maybe it’s because I’ve been reading so many bricks lately, but it felt like just a first chapter.
One more cucumber comparison: this book is very clean. There is plenty of budding chemistry between Keltie and Grayson, but spoiler alert: they don’t even manage to kiss. At least not in this book.
There were a ton of fun and charming moments. I am pretty sure the author gave himself a cameo (as a bookseller, naturally), and I’m now wondering whether he does this in all his books. Also, the scientific disclaimer at the beginning is delightful: “OK, pretty much every area of science probably got bastardized in some way while I wrote this book. Any and all errors were made lovingly for your reading enjoyment.” Gosh, I wish I’d thought of that line!
The food and fashion in Phantom Planet still retain many influences from Earth circa 2020. Keltie enjoys wine and chocolate croissants, for example. The women wear jewelry, which women have always loved to do, but you seldom see it in most space settings. (And why don’t more space opera characters get drunk in space? That seems like such a human thing to do, but this is the first time I can remember encountering it.) And, despite thousands of years of technology advancing, human beings are pretty much the same: there are still phishing scams!
One more thing that it may surprise you to see someone do in space: pray. “Prayer was always important in space. It kept things in perspective for her. A lot of people forgot that and often got carried away” (page 39). And no, this is not just meditation: Keltie is “thanking God,” and she wears a cross necklace. This element is kept very low-key, but it is so refreshing to find in a genre that often assumes that people, in the course of discovering that distant galaxies and alien races exist, will have “discovered” that God doesn’t. Space travel (even in this series, where it’s comparatively easy) is so dangerous, full of wonders, and above all disorienting that we can imagine that prayer would be a very human response and an excellent way to keep one’s sanity. Yet it is missing from so many books in this genre which, consciously or not, wish to portray human nature as mutable.
But What Does She Look Like?
Besides the “this is just the first chapter,” slightly less-than-satisfying feel of this book, which I understand because it’s part of a series, one minor thing bothered me.
We are given physical descriptions of nearly all the major characters, including Grayson, Keltie’s boss, her flight crew, her clients, and her best friend. We are not given a physical description of Keltie. Being able to picture the characters is important to me, so I just imagined her looking like a women from the cover of another La Ronn book I had seen (which is in a completely different genre). About 3/4 of the way through, we are finally told that Keltie has very long hair. Then that her sister is “blonde-haired and skinny and unlike [Keltie] in every way” (p.134). So, Keltie apparently is stout or curvy, with long, dark hair. I still don’t know what color her eyes are.
Maybe this issue is not important to any reader but me. (Maybe it’s even a trend. Is there some rule that we are not supposed to describe the point-of-view character, so that readers can picture that character however they like? I’m asking because I recently read a different book that made this same omission.) As for me, I take cover art very seriously as a clue to how the characters look, and I dislike having to guess and/or revise my mental image of the character partway through. (Especially if you are going to introduce a romance as a subplot.) Please, fellow authors, when you first introduce a character, give us a quick physical sketch, even if it’s just one or two outstanding physical features that can act as a peg to build our mental image on. I’m not saying you have to do the scene where the character looks at herself in the mirror (though if she DOES happen to look in a mirror, and you don’t tell me anything about what she sees, I’m going to be miffed). Just throw me a bone here.
Now … Go Eat Some Cucumber!
Other than those minor quibbles, this was an enjoyable book. There were lots of questions left unanswered that make me want to get the next one. If you like space operas and are looking for a new series to gobble up, check out Michael La Ronn’s Galaxy Mavericks! This would be a good series for libraries to carry because readers will speed through the books and check them out one after the other.