A Fall from Grace is a movie that’s out right now on Netflix. This post will contain spoilers, though not for one particular twist. Which shows, by the way, how good of a movie it is, that I can tell you a good bit of the plot and still hold back a twist.
I had a feeling this drama was going to be good as soon as I saw Tyler Perry’s name on it. I haven’t seen all his Madea movies, and of those I have seen, I haven’t liked all of them equally well. But I loved Madea’s Witness Protection. It was obvious, watching it, that there is not just comedy here but some human wisdom as well. I don’t know whether Grace is Perry’s first drama, but it’s the first one I’ve noticed circulating. Something told me that after years of making movies, he would be maturing as a director and ready to make impactful dramas.
I wasn’t disappointed. Grace is a really good drama, in the sense that after watching it, I honestly feel as if I have personally been through Grace’s experience. As of this drafting, I watched it about 24 hours ago, and have been thinking about it more or less continually ever since.
The title character, Grace, is a lonely divorceé with a grown son. When the movie opens, we are told that she has killed “her husband,” and that this is really out of character as she is a Sunday School teacher who bakes cookies for the kids in the neighborhood, etc. But she has confessed to the murder. The young public defender who is assigned to Grace is expected to plea bargain, and it’s expected that this will be easy to do given Grace’s (up until now) stellar character. For different reasons, the public defender starts digging in to what really happened. And from those events flows the title of this post.
In a series of flashbacks, we see Grace fall in to an unexpected romance with a younger man. (It’s hard to tell his age exactly. I first thought he might be about 10 years younger that she is, but it later seems it’s closer to 20.) This man pursues her, and at first she is skeptical. She even asks him flat-out, “You have probably been with many attractive younger women. Why me?”
He answers very wisely, “We tend to do that to ourselves as people. We ask, ‘Why should this good thing happen to me?’ The real question is, Why not you?”
Over a three-month courtship he overcomes her defenses. They talk for hours. Even at this stage there are a few red flags. For example, on their very first date he tells her, “As you get older, you start to get interested in people who have a wise way of looking at the world. You are a woman who sees the world etc. etc.” But at this point he’s only known her for a few hours. He started pursuing her literally after only a few minutes of conversation. He has not had time to find out how she views the world. This is flattery. But it’s done so sincerely.
He also, with remarkable insight, says to her, “There’s this thing you do. You’re judging. Stop it.” Of course, she is judging. She is an upright older woman. She is always judging herself and others. This is how we live. Hence, this young man could probably say this to any older woman and be 100% correct. But at the time, it seems like a sensitive perception. Later it becomes obvious that he was trying to get her to turn off her faculties of judgment for reasons of his own.
After an incredibly romantic proposal scene, Grace marries this man. She’s never been happier. She never felt this loved and understood, even with her first husband who later left her for his secretary.
Then, within a few months of getting married, she finds out that her new husband has: taken out a huge new mortgage on her house (which was previously paid for) … stolen her passwords, forged her signature, and embezzled funds from the bank where she works. She loses her job. The mortgage is unpaid, and she has no way to pay it. She is facing losing her house and possible jail time. She calls the police, but legally her house is now her husband’s and they can do nothing. It becomes obvious that the entire courtship and marriage were a scam.
Even then, she doesn’t kill him. She keeps trying legal ways to get him out of her house, but there are none. She is reduced to repeating emptily, “I want you to give me back my money.”
Finally comes the scene where Young Husband is justifying himself. This man who seemed so understanding and caring is sitting with his back to Grace, sprawled in a chair, saying casually, “Actually, the way I see it, you owe me that money for all the sex and all the joy I gave you. Women your age … you’re low-hanging fruit. In a way, if you think about it, all this is your own f—ing fault for making this so f—ing easy. For being weak.”
By this point in the movie, I already knew she was going to kill him and I was pretty sure this was the scene where it was going to happen. But I was confused. I didn’t see a gun anywhere in the house, and wasn’t sure Grace would even know how to use one.
Then I saw her walking up behind him with a baseball bat, and honestly, my impulse was to jump off the sofa and scream, “Do it! Do it!”
Once she does it, of course, her life is completely ruined. She is now a murderer.
Watching this, we are forced to ask ourselves … “In Grace’s position, would I fall for this?”
I can’t arrive at any answer other than Probably Yes.
Grace is about my age, give or take 10 years. I happen to be happily married. But what if I wasn’t? What if I had a job at a bank and a house that was paid for? It’s quite a blow to the pride to admit to yourself that these things are more appealing to a young man than your very soul. Not to mention your body, which after all was once considered attractive.
Grace isn’t stupid. She’s pretty savvy, actually. And she has been scarred by divorce. Yet she still falls for this extremely cruel scam. Primarily because he puts her in a position where, in order not to fall for it, she would have to decide she is basically worthless as a person.
So I guess you could call this movie a public service announcement.